Valentina3 said: "This is how you know when someone is being killed -
Click Here To Toggle Spoiler ContentThe house lights are completely red, mostly near the staging area but since it's such a small space - it lights up the whole room. It was very effective and scary. You'd think after the first murder you'd get used to it, but the increasing intensity just makes it worse every time. I'm very sensitive to gimmicky things directors to with lighting/sound design to drill in a point or represent a specific action - I f*cking hated Ivo Van Hove's A View From The Bridge - but I loved it here. It wasn't just gimmicky. It transported me to Sweeney's state of mind which had blood, rage, murder, and darkness. It also transported me to his victim's state of mind which was filled with fear.
Thank you for the above.
Valentina3 said: "Also, just because there's no barber's chair, doesn't mean a barber can't do their work. The patrons sit on a stool, it's really not that difficult to process that, is it?"
My question wasn't about "processing". I've not seen any production of Sweeney Todd before, but I know that the murders have historically been carried out with the victim in the barber's chair and then the body goes down a chute when the deed is done. What I was trying to determine was how this scenario played out if there was no chair/chute, i.e., is there some other plot device to replace the chair and where does the body go?
==> this board is a nest of vipers <==
"Michael Riedel...The Perez Hilton of the New York Theatre scene"
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