Holdren for Vulture is largely negative, with one bright spot:
Can You Teach an Old Sport New Tricks? The Great Gatsby on Broadway
https://www.vulture.com/article/theater-review-great-gatsby-musical-broadway.html
"Perhaps that’s part of why Zdrojeski’s Tom Buchanan stands out in this production like, to quote Daisy, “an absolute rose” among plastic flowers. He does very little of the show’s demonstrative singing, and when he does break out in a withering dismissal of Gatsby in the shared having-it-all-out number “Made to Last,” he sings as an extension of his acting. The performance remains specific and fierce, sent toward a living target and not toward some fuzzy space above the balcony. The character might be despicable (“If I wondered whether Tom’s an asshole,” Nick sings to us in a wide detour from Fitzgerald, “Tom’s an asshole”), but Zdrojeski is turning in a mesmerizing performance — menacing, vain, subtle when it needs to be, its contours defined by precisely the right kind of insidious class snobbery. For a tall, distinctive actor, he transforms remarkably: In Heroes of the Fourth Turning, he was a cringing disaster, eaten from the inside out with doubt and lust. In this season’s Jonah, he was sweet and self-effacing, a nerdy type who ended up having real compassion and integrity. Here, he’s a kind of cruel Jimmy Stewart — lanky and unconventionally charismatic, with vowels that belong to another time and a core of childish selfishness beneath all that alpha disdain.
It’s not that the rest of the cast isn’t showing up. They’re just all in a vapid musical-shaped-musical while Zdrojeski is in The Great Gatsby."
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