I don't know whether to laugh or cry at that screenshot that Phyllis Roger Stone posted. it's like Velma Von Tussle from Hairspray came to life and started posting on these boards. LOL
figured that racistcaljen was a racist bitch all along. her last post in this thread should have ended with "Aaron Tveit is a whiter star."
The thing is, besides being an utter toad of a human being, Riedel usually has the least knowledge of the topic in the room. He doesn't usually understand the content or approach of a show, and is always completely and unfailingly socially ignorant, which makes it really infuriating when Susan can't get a word in edgewise. A definitive mansplainer; it's always painful when he has female guests. I watch the show sporadically when I really want to see a guest, because it's the only theatre talkshow we have, but it would be so much better without this hateful clown in a dadcoat. (thanks ScaryWarhol)
Yeah, the only NBC Live! album to have the actual live tracks was "Peter Pan", and it sounds terrible. I wish they studio recorded it. But "The Wiz" sounds fantastic! The prologue is weird, but this is definitely something I can see myself listening to on repeat for the next couple of months.
They/them.
"Get up the nerve to be all you deserve to be."
I think I like the Live Versions of 'He's The Wizard' and "No Bad News" better. Amber's held that growl note longer and it had a little more flavor to it and MJB ended NBN better in the Live Version in my opinion. But I am LOVING the album!
What I don't understand is why they took so long to release it? Because they recorded the vocals like two weeks before the production happened. You'd think it would have been mastered and done. If they had released it the day of, I have no doubt it would have gone number one on the iTunes charts. But now I don't see it breaking the top ten.
They/them.
"Get up the nerve to be all you deserve to be."
CindersGolightly said: "What I don't understand is why they took so long to release it? Because they recorded the vocals like two weeks before the production happened. You'd think it would have been mastered and done. If they had released it the day of, I have no doubt it would have gone number one on the iTunes charts. But now I don't see it breaking the top ten.
"
Didn't Mary J. Blige join rehearsals really late, which is why we didn't get pictures of her in costume until well after we saw the other characters? I doubt she would have recorded No Bad News before she began rehearsals, so that might have contributed to the delay.
That could be it, but in the promos they used the studio recorded songs, so by the time the promos started airing, they should have been done with the recording.
They/them.
"Get up the nerve to be all you deserve to be."
I am mixed on the soundtrack, as I was for the broadcast.
Queen Latifah's "So You Wanted To See The Wizard" was astoundingly better on record IMO. Other songs had too much auto-tune ("Ease On Down The Road" oy!). And some songs I loved in the broadcast fell flat without their visual counterparts.
Overall I am still just very sad that the arrangements are on the whole completely uninteresting and bland. I will stick to the OBC.
Listening to this again on good headphones makes the autotune really evident and grating. Completely unnecessary. I imagine I'll go back to the OBC next and every other time I want to hear this score...
The Prologue sounds like a cheesy teaser-intro to a Witt-Thomas sitcom in the '80s.
While I love the performances, I'm not crazy at all about the orchestrations. Generic, bland, sterile. Very "theme-park show" or even "game show theme."
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
I'm with best12bars and a few other posters here regarding the orchestrations. They have lost their unique urban/ RnB/ soul vibe.
The thing is, besides being an utter toad of a human being, Riedel usually has the least knowledge of the topic in the room. He doesn't usually understand the content or approach of a show, and is always completely and unfailingly socially ignorant, which makes it really infuriating when Susan can't get a word in edgewise. A definitive mansplainer; it's always painful when he has female guests. I watch the show sporadically when I really want to see a guest, because it's the only theatre talkshow we have, but it would be so much better without this hateful clown in a dadcoat. (thanks ScaryWarhol)
Unfortunately I came to hate this show with a vengeance. All it did was cause everyone to get his feelings out about race. A musical that simply does not have place for people from a different race, and nowadays almost every show can be interracial including Les Miserables and The Sound of Music. Pity it went this way.