Despite my disdain for jukebox musicals, I went in, last night, with the same excitement I had, the first time I saw Tina live in 1985 with opening act Glenn Frey of the Eagles.
This didn't quite approach those heights.
The good:
Adrienne Warren is dynamite. I rarely say a performer is worth the price of a ticket, but, in this case, go see this woman. We did wonder (for good reason) if there was some lip-syncing going on, especially at the end, but after 2 hours and 45 minutes, it wouldn't surprise me.
The band is excellent. The set is mostly clever and never gets in the way, which is a good thing, here. The lighting design is quite good, too. Some of the supporting cast is good. The choreography is very good and probably 90% of the real Tina's moves are included.
River Deep, Mountain High is the best song performed.
The bad:
Katori Hall. Katori Hall. Katori Hall.
Tina deserves so much better. I've seen/read enough of Ms. Hall's work to know that she's just not a good writer, but she outdoes herself here. I could go point by point, but it's not worth it. She is solely responsible for the mess this show is. This isn't a "weak" book, it's an awful book.
The supporting cast ranges from okay to "how did they get the part?" Two people I won't name are jaw-droppingly bad.
Some iconic songs are left out, some lesser songs are included and for a "linear" play, the songs are not presented in chronological order and sometimes have no purpose being inserted where they are. Looking at you, We Don't Need Another Hero.
But enough of the bad. Back to Adrienne Warren. She is the reason, that, despite how poorly done this is, I would actually sit through it again.
I resigned myself quickly to the audience clapping and singing along and getting up repeatedly in the middle, like they were at a concert, so it didn't bother me as much as I would have thought.
Now, I would like a full concert by Adrienne Warren at Radio City. I'd buy front row for that.