I'm one of probably five people who has never seen "The Phantom of the Opera" on Broadway. Is the chandelier effect as good as some people say, or is it a disappointment? Just curious.
I found it pretty disappointing, especially when you can see a fat guy in a white shirt come out from behind the curtain to break its fall at the last minute.
I remember waiting for that moment when I first saw the show opening week in 1988 (I was familiar with the London cast recording) - and thinking that it descended so slowly that it would not have been frightening even if you were sitting directly underneath it. Friends who saw the show in London tell me that in that production it fell much more quickly.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
The Chandelier is great. I took my little borther to see Phantom a couple months ago and when the chandelier crashes was his favorite part. I recommend you seeing Phantom! You'll love it.
"Life will be frozen peaches and cream.
Baby, dream Your Dream" ~ SC
I agree with Thenardier. Its affect the first time you see the show is profound. But the more you go, the less surprising and climactic it seems. It also depends on where you sit in the theater. Dead center, a few rows back is perfect.
Wicked, that is true of any special effect. The more you see it, the more you expect it and the less impact it will have. Same thing with Javert's suicide when he "jumps" from the bridge. The first time, it was amazing. After that, not so much.
The truly beautiful should be lawfully restricted from wearing clothing; and the truly butt-ugly should be lawfully mandated from going naked.
I remember thinking it sort of "wafted" down from the ceiling - and I agree with baddadnpa that having it come up from the stage in the beginning diminishes the effect... I think the time dragon in Wicked is much more interesting, simply because when the show starts, you really don't have a clue that it can be active... (of course that's comparing effects in this century v. last century, but still...)
The first time I saw it I had no idea it was coming. It almost gave me a heart attack (in a good way). The next two times I still found it quite powerful.
The chandelier going up during the Overture is just about one of the coolest things. Coming down, not so much - unless you happen to be sitting under it. The effect is lessened the more times you see the show.
I took my boyfriend to the tour a few years ago. He knew nothing about "Phantom". I wanted to ensure that he got the full experience so I got tickets on the center aisle, three rows back. That put us directly under the chandelier. When the thing finally came down he was ready to move out of the way (I'll admit - seeing come down on top of you - even if not at breakneck speed can make one a tad anxious - I was ready to move too). After it was over he said "I didn't think the thing was ever gonna stop". Needless to say, he found it impressive.
I think the chandellier's assension is much more interesting than it's fall. I did sit in the front row in London though..and it was pretty frigtening both on the way up and the way down..and it seems to fall much faster when you're sitting right underneath it!
I think the effect would be more exciting if it didn't start out on the stage floor at the beginning of the show and "float" up to the ceiling. I wish the first time the audience sees it move is when it falls at the end of Act I.
It looks rather fake nowadays. But the opening is incredible as it raises up above you and you are in like the 1rst row and u can almost touch it (my experiance) its awsome.
<------ Me and my friends with patti Lupone at my friends afterparty for her concert with audra mcdonald during the summer of 2007.
"I am sorry but it is an unjust world and virtue is only triumphant in theatricle performances" The Mikado
I agree with a lot that was said. The first time I saw it I was in Row N on the left side and was pretty amazed. The second time was interesting--I was in row C on the right side so I was quite close to it but obviously being on the side not directly under it. Though it was less impressive, it was cool having to look up and being so close. And the people sitting under it looked terrified and covered their eyes and stuff, that was slightly amusing.
"If there was a Mount Rushmore for Broadway scores, "West Side Story" would be front and center. It snaps, it crackles it pops! It surges with a roar, its energy and sheer life undiminished by the years" - NYPost reviewer Elisabeth Vincentelli
I sat in the very front row center and it scared the %$*% out of me. The cast was on stage and, in that scene, they are taking their bows. All of a sudden, Christine's face had this look of horror and she pointed to the ceiling and WHOOM! here comes the chandelier over my head! It was pretty cool. I would recommend sitting further back because it wasn't until later that I found out that the lights blink and it shakes a bit, I guess, and you can watch it fall all the way. I thought it was a cool effect; I've never had a chandelier fall above my head!
I saw the show when it opened and about 2 years ago because a friend was in it, and I thought the same thing, that the raising of it is much more effective than it crashing.
"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."