Most of the men mentioned here thus far, with the possible exception of James Barbour & Brian Stokes Mitchell, are at the same disadvantage: take away their body mike and all you are left with is the equivalent of a 1990’s Boy Band Singer. Most of these guys would have not been good enough to make the chorus on the musical stage before 1980, much less featured and starring roles. The great male voices of today are not on Broadway but are on the operatic stage and/or performing American musicals in Europe and the Orient where their real legitimate voices are still distinguishable and appreciated. Really great baritone or tenor voices are a liability rather than a virtue on the Broadway of today where the sound designer is more important than the performer. This is a sad but brutal state of affairs. In such a hostile and ignorant casting climate, Broadway will never again hear talents such as Alfred Drake, Ezio Pinza, Howard Keel & Robert Goulet.
"I long-ago realized that this country is a nation of
morons, when it comes to knowledge of anything outside, or beyond, pop culture." Steve Slezak