Toughest Song to Sing on Broadway Now
#2
Posted: 6/5/08 at 9:01am
The score of LEGALLY BLONDE is very difficult, especially for the woman playing Elle Woods, for the fact that it was written in the Andrew Lloyd Webber style of writing for leading ladies - it doesn't take into consideration human limitations. Elle Woods is on stage for the entire show and sings, what, 80% of the score? Laura Bell Bundy has said time and time again that she can't do it without a firm regiment of taking care of herself - and the high note at the end of "So Much Better" is only the tip of the iceberg. I'm reminded of the recorded note during Phantom.
Rose's Turn is difficult, because the song needs to be acted more than it is sung.
Music and the Mirror is difficult.
Pacencia y Fe is difficult.
Rose's Turn is difficult, because the song needs to be acted more than it is sung.
Music and the Mirror is difficult.
Pacencia y Fe is difficult.
#3
Posted: 6/5/08 at 9:28am
Rose's Turn
Song of Purple Summer
Music & The Mirror
Song of Purple Summer
Music & The Mirror
"Those You've Known And Lost Still Walk Behind You"-Spring Awakening
#4
Posted: 6/5/08 at 9:32am
Elphaba's score is quite hard as well. Belting her heart out 8 times a week on Wizard and I, Defying Gravity, and, No Good Deed, straining to hit the low notes in I'm Not That Girl, as well as being onstage 80% of the show. Those poor women playing Elphaba need an alternate
Hunter: Your teeth need whitening./ Heidi: You sound weird./ Jeff: You taste funny.
-Jeff Bowen's worst onstage line flub.
-Jeff Bowen's worst onstage line flub.
#5
Posted: 6/5/08 at 9:57am
I'd vote for "Sunday in the Park with George". The song has wild range and interval leaps, belting and lyrical singing and fast patter. Plus, so much to act in it.
Begin at the beginning and go on till you come to the end: then stop.
#6
Posted: 6/5/08 at 10:12am
I once heard a theatre director talk about actor's auditioning with "Defying Gravity".
He said, "It's the white girls 'And I'm Telling You...' You can either sing it or you can't. Sadly, most can't".
He said, "It's the white girls 'And I'm Telling You...' You can either sing it or you can't. Sadly, most can't".
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
#7
Posted: 6/5/08 at 11:13am
SITPWG's songs, definitley.
"As we all should probably have learned by now, to be a Stephen Sondheim fan is to have one's heart broken at regular intervals" - Frank Rich
Dearest, how can this be so? You were dead, you know. - Candide
Oh my god, this show has everything! Half naked guys and girl on girl action! - [title of show]
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Dearest, how can this be so? You were dead, you know. - Candide
Oh my god, this show has everything! Half naked guys and girl on girl action! - [title of show]
(My avatar? Why, yes! That is Laura Benanti making out with a chick!)
#8
Posted: 6/5/08 at 11:18am
I guess it depends on which voice part you are talking about also, because there are definitely difficult songs out there for each voice part.
#9
Posted: 6/5/08 at 11:24am
There's a lot more to singing a song than hitting the notes. There's something called being able to sell/act a song.
Rose's Turn. Hands down.
Rose's Turn. Hands down.
"I know now that theatre saved my life." - Susan Stroman
#10
Posted: 6/5/08 at 11:29am
I'd say its a definite toss-up between "Suddenly" and "Suspended in Time" from XANADU.
Tough call. Ugh!
Tough call. Ugh!
#11
Posted: 6/5/08 at 11:36am
Out of curiosity, why is "Paciencia y Fe" difficult? The acting?
Jimmy, what are you doing here in the middle of the night? It's almost 9 PM!
#12
Posted: 6/5/08 at 11:44am
It's got a high belt for a woman that age to sing 8 times a week. Merediz is younger in real life and has said in several interviews that it's not easy to sustain, especially when carrying the physicality with it.
"I know now that theatre saved my life." - Susan Stroman
#13
Posted: 6/5/08 at 12:02pm
I've really never thought "Rose's Turn" was all that thrilling or difficult. Yes, it requires some heavy acting, but it's far from impossible -- there have been plenty of high school performances of Gypsy. Whether or not they do it justice, that's another question, but just because a handful of legendary actresses tackle the part of Rose does not necessarily mean "Rose's Turn" is the toughest song to sing and requires such brilliant stature to truly perform.
#14
Posted: 6/5/08 at 12:21pm
It's got to be at least one of the numbers from SUNDAY... wild intervals, time signature changes left and right, disonant harmonies. Jenna Russell goes up and down over her break the whole two hours. Not to mention it needs to be acted too!
"It could be worse. You could have majored in TECH theater...then you'd really be poor."
#15
Posted: 6/5/08 at 12:33pm
I agree with the Legally Blonde and Wicked suggestions.
I also say add "Don't Walk Away" from Xanadu because Sonny Malone is on stage quite a bit and sings several times during the show and then has to belt out this song and hit the high note at the end, but Cheyenne is just that amazing, so he can totally do it.
I'd also have to say anyone playing Frankie Valli in Jersey Boys has it rough because he's onstage through MOST/If not ALL of the show and has to belt out in falsetto: That's tough.
I also say add "Don't Walk Away" from Xanadu because Sonny Malone is on stage quite a bit and sings several times during the show and then has to belt out this song and hit the high note at the end, but Cheyenne is just that amazing, so he can totally do it.
I'd also have to say anyone playing Frankie Valli in Jersey Boys has it rough because he's onstage through MOST/If not ALL of the show and has to belt out in falsetto: That's tough.
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Updated On: 6/5/08 at 12:33 PM
#16
Posted: 6/9/08 at 4:26am
I'd agree with Legally Blonde being one, if not the, toughest role for a female on Broadway. I'm not saying its Legendary, but it's a tough role, and I'll be surprised if a reality show winner can sustain a run in it. Elphaba is tough because it's very easy to destroy your voice trying to belt like that all the time. You have to have perfect placement or it can ruin your vocal chords. And I also agree with Sunday in the Park because of the complex score, and it is fairly complex vocally. It takes someone with a strong belt, strong acting (playing multiple roles) and someone with a legit voice as well.
#17
Posted: 6/9/08 at 6:38am
For the ladies, I'm going to agree with those who say Legally Blonde and Elphaba in Wicked. Elle Woods is not a brilliantly written role, but I stand by my assertion that it is the most difficult female role on Broadway right now. She's onstage for the entire show, save for 5 minutes at the beginning, sings in nearly every song, and dances a lot. You can see how grueling it is, especially if you saw LBB early on (when she was great) and recently (when she has kind of petered out).
For the men, I'm going to say the Frankie Valli role in Jersey Boys, by a mile.
For the men, I'm going to say the Frankie Valli role in Jersey Boys, by a mile.
#18
Posted: 6/9/08 at 7:33am
A Gypsy song! Or Actually just the Role of Elle, as much as some people hate the show it is a huge role to play.
#19
Posted: 6/9/08 at 7:53am
It depends whether you are testing stamina or just those couple of minutes when one song lasts. Sondheim is very tricky, but other shows to require more stamina. SITPWG is vocally demanding, but not as physically demanding.
One good example of the challenge of Sondheim is a song which isn't on Broadway now, but was recently; Being Alive. It's only a top Ab at the end, but it's extremely hard to get that out cleanly after acting the rest of the song, which does usually involve slightly shouty-groany bits which grate your vocal chords a lot.
One good example of the challenge of Sondheim is a song which isn't on Broadway now, but was recently; Being Alive. It's only a top Ab at the end, but it's extremely hard to get that out cleanly after acting the rest of the song, which does usually involve slightly shouty-groany bits which grate your vocal chords a lot.
The rain we knew is a thing of the past -
deep-delving, dark, deliberate you would say
browsing on spire and bogland; but today
our sky-blue slates are steaming in the sun,
our yachts tinkling and dancing in the bay
like racehorses. We contemplate at last
shining windows, a future forbidden to no one.
Derek Mahon
"Maybe all one can do is hope to end up with the right regrets."
Arthur Miller
deep-delving, dark, deliberate you would say
browsing on spire and bogland; but today
our sky-blue slates are steaming in the sun,
our yachts tinkling and dancing in the bay
like racehorses. We contemplate at last
shining windows, a future forbidden to no one.
Derek Mahon
"Maybe all one can do is hope to end up with the right regrets."
Arthur Miller
#20
Posted: 6/9/08 at 11:03am
If you have a bad technique ANYTHING is difficult to sing.
Just my opinion, I may be wrong.
Just my opinion, I may be wrong.
TWOGAAB
"A Class Act" will never die!
#21
Posted: 6/9/08 at 11:44am
See, here's the thing with the score to Wicked. None of Elphaba's songs are written to go over an 'E' all those riffs that are thrown in are 100% optional. They aren't part of the score. So, all the women who have vocal trouble are actually bringing it on themselves, by adding something and doing so improperly. Sure, the riffs sound cool, but the Elphaba's who don't (Idina Menzel and Stephanie J. Block for sure), seem to be able to sustain the run longer.
Music and the Mirror isn't tough to sing, but the dance that goes with it is like a dance of death.
Music and the Mirror isn't tough to sing, but the dance that goes with it is like a dance of death.
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#22
Posted: 6/9/08 at 12:12pm
Without a doubt... 96,000!!!!!!
"How could she just suddenly, completely disappear into thin water?" - The Little Mermaid
#23
Posted: 6/9/08 at 12:27pm
By intense belting I assume you mean holding an 'E'. An 'E' is easily in almost every single range, if you can't support that note, or it's not in your range you probably should not be singing period.
And if by emotion you mean "crazy riffing" then yes, there is a lot of emotion in it. I haven't seen or heard an Elphaba act that song (Stephanie J. Block aside) since Idina Menzel.
And if by emotion you mean "crazy riffing" then yes, there is a lot of emotion in it. I haven't seen or heard an Elphaba act that song (Stephanie J. Block aside) since Idina Menzel.
http://www.youtube.com/huskcharmer
#24
Posted: 6/9/08 at 12:37pm
Wait..."Song of Purple Summer" is the toughest song to sing on Broadway...? Could you explain?
#25
Posted: 6/9/08 at 4:28pm
Actually, the highest belt for Elphaba in the score is an F, which I disagree as being easy to belt/sustain.
Also, Idina is the EPITOME of the vocal destruction brought on by the score. Surely you've heard her sing the score at the beginning and ends of both her B'way/London runs, no?
Also, Idina is the EPITOME of the vocal destruction brought on by the score. Surely you've heard her sing the score at the beginning and ends of both her B'way/London runs, no?
Updated On: 6/9/08 at 04:28 PM
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