West End CABARET Revival (and B’way Transfer?) - News & Discussion Thread — Page 3

Mmm I’d say a tad below mid-sized especially if they try the ‘immersive’ bits again (not as cheap/simple as the Sam Mendes production). With the economics of Broadway I can’t help but think it would seem difficult to make any actual money if Eddie Redmayne didn’t commit to 6 months though.

Updated On: 4/10/22 at 06:46 PM

binau said: "Mmm I’d say mid-sized especially if they try the ‘immersive’ bits again (not as cheap/simple as the Sam Mendes production). With the economics of Broadway I can’t help but think it would seem difficult to make any actual money if Eddie Redmayne didn’t commit to 6 months though."

Plus in London that's one of the few theaters that required recent negative covid test (rapid antigen) from all audience members regardless of vaccination. Part of the reasoning for this is the immersion/intimacy of the show and food was served to some of the table seats. I wonder if they'd implement that same policy on Broadway.

I have trouble seeing it on Broadway before next Spring and, while we've learned to expect anything over the last two years, I also don't see there really being m/any COVID policies left by then.

After attending last weekend, the only theater on Broadway I can see retaining the tiny scale of the production is the Hayes and charge 400+ ticket like they do in London. It is when I saw the inside that I understood the ticket prices, it is the only way to sustain the show with big names.

Someone correct me if Im wrong, but the Playhouse in London doesn't hold more than 500 audience members. The production is so small that it makes the Mendes Cabaret look like an overproduced mega spectacle.

Making the production bigger for Broadway would kill it. The cast BARELY fits on that stage. In fact, a lot of impressive moments from the choreography don't come from the intricacy but as to how they manage to dance and move without hitting each other.

Can move to Broadway but this is an Off Off Broadway approach to staging the musical.

Updated On: 4/11/22 at 10:33 AM

The Hayes is way too small. The Hudson is the only theatre I can see working to incorporate the set as well as the large lobbies.

binau said: "The stage is physically small but I don't think the production is small in a 'cheap' like off off off broadway way for the below reasons. Of course they could save costs by just changing the production it's not as if they HAVE to do it:

* Expense of turning the theatre into 'the round' (I assume this is one of the single biggest expenses and they could save a load of money not doing this/restaging the show)
* Expense of building and maintaining the turntable + raised platform piece(s)
* Expense of building the 'immersive' lobbys & bars
* Expense of costumes"

Yes, I just assume that for Broadway they would have to either have more seats, which will result in the physical production being bigger OR keep the size and charge an arm and a leg like in London.

I really don't see them keeping the small physical size of it for Broadway, which will be a shame.

Nice interview with Fra Fee about taking on the Emcee role, among other things.

Phillytheatreguy10 said: "I’m not overly familiar with this production, but I do love Cabaret so any chance to see it would be worth it. That being said, I’m hearing small and in the round being used to describe this- is that not Circle in the Square? They also have a lobby that leads right into the theatre. I’m also assuming that the space could be converted as desired, many shows have done so with that space. Would it work there?"

Circle In The Square would work, but there would not be a lot of seats and they would have to charge an arm and a leg. No one would buy tickets. Plus, KPOP is going to Circle In The Square this fall. I have said it before, the Hudson is perfect for this version of Cabaret. They can really go all-in for the auditorium and give it that "in-the-round" look. The lobbies and lounges would also be perfect! The only catch is who would be in the starring roles because this show has to sell big time. I can see Eddie coming over, but Jessie Buckley is pretty booked up solid with two new films she's starring in. Some people on here said she's a bit over-the-top as Sally. Maybe someone like Lilly James. I think now that this revival won big at the Oliviers, it's only a matter of time before a Broadway transfer is announced.

It really is an Incredible production. Can see it working in the Hudson, but I also believe they can do Interesting things with The Broadway given it’s size an lobby. My first choice, which won’t happen for obvious reasons, would be the Beaumont.

RippedMan said: "Broadway is way too big. I think the Hudson is the perfect size and the overhangs don't block a lot of the views from the upper audiences, so they could make that work"

Agreed! The Hudson is VERY intimate! I just hope they can build the set perfectly and not have any obstructions.

A question for anyone who has seen this production. I'll be there in July after the current leads have left and I haven't yet seen any official info or rumors on new casting. In your opinion, is this an essential production that needs to be seen regardless of who's in it? I saw the Mendes with the original cast a couple of times in NYC and on tour with Hatcher and NLB (even getting to dance with him briefly), and of course the movie countless times, so yes, I love the piece.

The performance I'm looking at has center stalls in the first non-table row. Seems like a great location if I don't want the dinner and drinks packages?

Def seems like a must-see.

Now having seen the pictures, how much was refurbished? Like were the walls re-painted, all the molding redone?

SisterGeorge said: "A question for anyone who has seen this production. I'll be there in July after the current leads have left and I haven't yet seen any official info or rumors on new casting. In your opinion, is this an essential production that needs to be seen regardless of who's in it? I saw the Mendes with the original cast a couple of times in NYC and on tour with Hatcher and NLB (even getting to dance with him briefly), and of course the movie countless times, so yes, I love the piece.

The performance I'm looking at has center stalls in the first non-table row. Seems like a great location if I don't want the dinner and drinks packages?

"

I asked the same question before attending, I saw the Mendes quite a few times.

Is it essential? I would define it as a very raw and minimalistic approach to the piece. Think of it as if method creators took on the musical. It's unsassuming, which contradicts with the ticket prices. The theater is so small that I would go by price, more than location.

To me, the "immersive" part of it was unnecessary and unsuccessful.

Is it worth watching? Definitely.