Broadway Legend Joined: 6/19/06
I had a chance to see SEUSSICAL last year and couldn't go because of a school event. I really regret it now, because I have fallen in Love with the CD over the past week. It may seem childish, but it's not really that bad, it's a lot of fun.
THE WIZ, well, I have seen this with a white cast, and it was quite good, but I didn't think it was a great show, whether it with a white, black or purple cast. Not very complex, either.
HELLO, DOLLY! is a brillinat show, not the greatest musical of all time, but a lot of fun. 'Put on your Sunday Clothes', 'I Put My Hand In', and, of course, the title number, are great for big choruses and especially dance. It can be expensive due to the need for period costumes etc, and there is a big opportunity for a good set, especially for the 'Harmonia Gardens' restaurant. The story isn't very complex, there are a number of different couples, but the entire action takes place over the space of a day or two, so it's not ideal if you want something complex. Good show though.
FIDDLER. Well, well, well, where to start? The story is complex enough, the show has plenty of chorus numbers (the wedding and bottle dance, tradition, sabbath prayer, etc.). There is room for imagination with the set, and costumes can mostly be made at home with rags if you're stuck! The music is very 'different', but there are mnay beautiful tunes. Some see the show as being quite depressing, but it's not. It is emotional, heartbreaking at the end, but it also has many nice comic moments, such as Tevye's ongoing saga about his mule, and his 'dream' of his gradmother (is it?) Sarah (Golda: How did she look? Tevye: For a woman who's been dead X years she looked pretty good!). It's a show you can love or hate, but it's not too hard on the budget and it's a memorable evening for the audience.
May I suggest you look at the Josef Weinberger website? They have information about all the musicals they licence.
Good Luck!
Les Miserables fits everything you listed.
I'm just thinking of shows I did when I was in high school, because we had huge ensembles....Camelot, Anything Goes, Kiss Me Kate, My Fair Lady.
Check out Li'l Abner. LOTS of characters, plenty of ensemble numbers. A really fun show, also.
SoM, but there isn't alot of stage time for the ensemble...plus its boring and overdone.
Honk has a lot of different characters and an ensemble that can expand to be as large as you want.I've also seen godspell with a cast of 40-something, just split up the lines a bit. Beauty and the beast is also a great one, but ensemble isn't on stage as much...
I agree with seussical, i really want to be in that show, there are soooo many parts
LES MIZ
Tommy
Once Upon a Mattress
Pippin
Damn Yankees
Wizard of Oz
Joseph....Dreamcoat
Les Miserables (although I don't think the rights are currently available)
Leader of the Pack
Also, I have seen Once on This Island done with color blind casting (at a performing arts summer camp) and it worked fine. But that may be only because it was done by kids 10-16. If you're looking for a show for community theater, then Island probably isn't a good choice. But I think for high school age & younger non-race specific casting can work fine. I know not everyone here will agree, but that's just my opinion.
Well if you're looking for multiple story lines, INTO THE WOODS. It's an ensemble show though...
Broadway Legend Joined: 12/9/04
Someone mentioned Music Man...I didn't find that there was especially a lot of time for the ensemble to be on stage.
Les Miz is one that meets all criteria for certain.
Guys & Dolls could possibly work, though I'm not sure if...actually it could fit an ensemble of 50, and there would be lots of ensemble time but not for the entire ensemble...like there's some songs for Adelaide's girls and a lot of scenes for the "guys."
But for one that can have a huge cast and a lot of ensemble, how about The Wizard of Oz?
I disagree about the Wiz not working if you don't have an all black cast - if you have soulful voices, great harmonies, a fun feel and lots of energy, it can be a great, entertaining show. my production only had one performer out of 15 who was of african origin - actually south african - and he would have said he was the one with least appropriate feel for the show.
i agree with seussical and honk - not childish but huge amounts of fun. urinetown, children of eded and follies are all personal favourites so i'd second them.
i would also offer sweeney todd if you have the voices, grand hotel and hot mikado.
Featured Actor Joined: 12/31/69
The "cubber" part of Anyoen Can Whistle can and is often easliy deleted from the show---it's become a bit troublesome in mdoern productions (although there could be an argument on needing to keep it)
Evita has a large and involved ensemble. You need your leading lady, but other that that, it showcases the supporting and ensemble players well! Race can be very mixed.
Oklahoma! is quite fun to do. It ca have a large ensemble, and they all have a lot to do. There are also mulitple sory lines, and I guarantee you will sell out for every performance.
If you are looking for a show, then go to www.mtishows.com and there is a search where you can put in the criteria. Cast Size, vocal challenging-ness, etc.
THE MOST HAPPY FELLA
- Leading male in his 50s, Two female leads in early 30s, Two males in early 30s, and one female in her 50s plus huge ensemble of neighbours and friends. Only 3 Scenes in Act One, 5 in Act Two and 2 in Act Three. However about 80% of it is sung.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Chorus Member Joined: 5/4/05
no wiz, wizard of oz, les mis, and no retarded shows either. i'm looking for a good quality, preferably modern show...urinetown is the best suggestion i've heard so far
Chorus Member Joined: 5/4/05
let's add another requirement: the principles should have at least two leading men and at least one leading lady.
HAHA! Lil' Abner is ABSOLUTLY NOT complex! Please, please no. Updated On: 2/24/07 at 05:31 AM
Man... There have been some good musicals listed thus far. BUT! Everything that you have listed for criteria makes me think Urinetown. Cladwell and Bobby are two nice male roles, and Hope is a nice female role. If you don't have a strong voice for it's a privelage to pee, then you may be in trouble, but I'm sure you can find the voice. The entire show (sans Cladwell and Penny) could be played in a range of ages and I don't believe that race should be an issue. The issues that are played in the show really do reach to some rather adult issues but a younger person would not get them and can still enjoy the show. Like I said, plenty of good ideas, but my vote definitely goes to URINETOWN. I hope you find what you need! Updated On: 2/24/07 at 05:34 AM
Featured Actor Joined: 8/3/04
What do you mean by "retarded" shows?
And if you do decide to do URINETOWN, you'd better have your own original staging ideas. You don't want the Utown police after you, sending you down that golden frothy river to splatsville .
Understudy Joined: 7/20/05
Sorry, but do you mean fifty-ish as an age thing or a count of how many people you'd like in the show?
Leading Actor Joined: 1/22/07
i second the suggestion for into the woods.
also ragtime again.
guys and dolls, jesus christ superstar
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