All of Rodgers and Hammerstein except "Carousel" (done to death!)
Brigadoon (we're supposed to envy people who are trapped forever in a town where all you do is wear kilts and milk cows?)
All of Andrew Lloyd Webber except "Evita" (they're musical assaults, not musicals.)
ALL of Frank Wildhorn, especially "Jekyll" ("Murder, murder/It's a curse, man/Murder, murder/It's perverse, man" WHAT??????? This is Victorian England??????)
I like "Kismet" and "The Fantasticks" more than most people. I also love the pop energy in the scores of "Aida" and--gulp--"Footloose." If only they didn't have to talk in between songs...
I ask in all honesty/What would life be?/Without a song and a dance, what are we?/So I say "Thank you for the music/For giving it to me."