stage door demo for Ripley's FAG slur Thurs. at 10 pm- Page 21
stage door demo for Ripley's FAG slur Thurs. at 10 pm
THE END#500
Posted: 6/9/10 at 3:57pm
Well, the "website" for his "school" certainly will have more "hits" than usual today. That's a kind of "success."
And you remember that old moral from Aesop; "an actor and his money are soon parted."
THE END#501
Posted: 6/9/10 at 3:58pm
Although I didn't come on here to discuss my school, people keep asking about it...so, I'll answer:
chellie wrote: We "free" your talent. We help you cultivate your own artistic vision and statement. Our work is clear, intense and practical. Our work will empower and "liberate" you.
I "wonder" why there are so many "quotes"?
Jason responds: Good question. I used quotes around terms like that because I consider them what I call "acting buzz-words." Oh look, put that in quotes, too. And what I mean by that is that I don't think anyone can ever be truly "free" or "liberated."
I mean, really, what exactly does that even mean? It would be more precise if I had written "more free" and/or "more liberated." But, that doesn't exactly sound efficient and clear, either. So, I went with the quotes. In my experience, it isn't confusing to people who know a significant amount about creativity. 
Thanks for your question and thoughts. I appreciate the feedback and am humbled you are reading through our web site a little. I certainly didn't expect anyone to.
THE END#502
Posted: 6/9/10 at 4:00pmWow!
THE END#503
Posted: 6/9/10 at 4:00pmI went to the movies this afternoon and saw ROBIN HOOD which I quite enjoyed! But it seems I missed some sh*t going on here. Anyone want to give me the readers digest version so I can jump back in?
THE END#504
Posted: 6/9/10 at 4:01pmThe Great I AM came to pay a call.
THE END#506
Posted: 6/9/10 at 4:02pm
Ok, and now the conversation has died. Hey Jason i dont know if you intended take the heat off Ripley, but you have definitely succeeded in that. Im just sorry that you now have to suffer. Cant we all just go back to witch hunting...i mean discussing Ripley.
Jules, I'm not suffering at all. I'm amused.
And I'm getting lots of work down while I'm reading, I've caught up on almost all my emails and phone calls!!!!
When I've "complained" it's about low-life posters, not because I'm in any pain...
It's quite clear when a poster knows something about civility, respect and ACTING and PERFORMANCE and when they don't...'in these here parts!'
THE END#507
Posted: 6/9/10 at 4:02pmOh Jordy honey, there is no Reader's Digest version. The reamblings contained herein are beyond encapsulation.
THE END#508
Posted: 6/9/10 at 4:03pmOr you just specify what from which you are liberating. After all, we all have an inner Symbionese Liberation Army.
Broadway Legend Joined: 6/20/03
THE END#509
Posted: 6/9/10 at 4:04pm
I don't require my students to wear formal dresses or suits and call me Mr. Bennett whenever they address me, as did at least one very famous teacher.
I do not call myself a "master teacher" while screaming at the top of my lungs and throwing things across the room, as one older teacher is known to do here in the city.
I do not scream at my performers, ever. I do not insult them. I hardly ever get angry while I'm teaching -- and these are ALL things ALL the major teachers of the 20th century did.
And what's your point? That not doing those things makes you a better teacher? That's doubtful. All it proves is that you don't do some things that other teachers do/did. Now go give yourself a big pat on your humble back that you have a different style of teaching than some others do. Big F'ing deal.
Not everyone responds to your kumbaya, were all delicate sensitive flowers, and that we should never have to hear negatives about ourselves, style. Frankly, I think it's pretty much a load of bull****. If I were still taking classes, you'd be the last person I'd seek out...actually I wouldn't seek you out at all.
THE END#510
Posted: 6/9/10 at 4:05pmDoes Lupone? Does Patti have an inner Patty?
Stand-by Joined: 6/7/10
THE END#511
Posted: 6/9/10 at 4:06pmJason...when you say "low-life posters"...care to say who you deem as a low-life and who you don't?
THE END#512
Posted: 6/9/10 at 4:07pm
Everything about Jason is that he's better. People who think he's an insufferable bore are "low lifes."
It's a good thing I never encounter people like Jason Bennett in real life or I'd end up on the cover of a tabloid: Gay Held in Gay Bashing.
Broadway Legend Joined: 2/9/04
THE END#513
Posted: 6/9/10 at 4:08pm
There's something vaguely Scientologist about all this.
Paging Milton Katselas....
THE END#515
Posted: 6/9/10 at 4:09pmOMG, I was just going to say that Borstal. This ego is unnatural. It's.....alien!
THE END#516
Posted: 6/9/10 at 4:09pm
To answer your question, Phyllis -- although I did not come on here to talk about my school -- A fundamental point of any meaningful performer-training is removing blocks to the full expression of one's talent...as such, it is "liberating" and "freeing." This is true of giving a great performance, too, of course.
Ego dissolution is quite an amazing experience to have while performing, where you feel like "you" aren't doing it anymore. It's almost as if the performance is moving through you. Most great performers I know talk this way about how it feels to really "nail it."
No one teaches acting, really. What we can do is facilitate removing the blocks to full expression, etc., as I said above. And we can teach tools great performers use to create imaginary worlds and characterizations. But, I don't think anyone can actually "teach acting," in the literal sense of that phrase. But, again, as throughout my school's web site, I have to choose between using words and phrases people recognize, and speaking with utter psychological or methodological precision...there are ups and downs no matter which choice I make here and there...
It is a difficult venture, to use English or any verbal language, to describe creative processes, which are symbolic and imaginal.
It is very humbling to try and communicate creative process on a message board, when some posters are so unfamiliar with such things. This isn't a judgment, just a rather clear reality.
Find more typos? I'm passing them on to assistants.
Broadway Legend Joined: 6/20/03
THE END#517
Posted: 6/9/10 at 4:13pm
How did the theatre ever survive without your insight?
THE END#518
Posted: 6/9/10 at 4:14pm
You learn whatever you need, tools from Jason Bennett's evolving synthesis of all the great acting systems, combined with his own revolutionary work.
Well, you know, we all wanna change the world.
Stand-by Joined: 6/7/10
THE END#519
Posted: 6/9/10 at 4:15pm
Jason, I'm disappointed that you didn't answer my question.
If I were still taking classes, you'd be the last person I'd seek out...actually I wouldn't seek you out at all.
But...the actors at Jason's school are "respectful, political, intelligent, diverse, very ambitious, driven, ethical and full of life -- they are fun." EACH and EVERY one.
Broadway Legend Joined: 6/20/03
THE END#520
Posted: 6/9/10 at 4:17pm
But...the actors at Jason's school are "respectful, political, intelligent, diverse, very ambitious, driven, ethical and full of life -- they are fun." EACH and EVERY one.
Sounds like an advertisement for a preschool.
THE END#521
Posted: 6/9/10 at 4:18pmI know it's over and I love me some Alice, but since when is throwing the word "fag" around considered "respectful, political, intelligent, diverse, very ambitious, driven, ethical and full of life"?
THE END#522
Posted: 6/9/10 at 4:20pmHe just has to add "...each in their own special way."
THE END#523
Posted: 6/9/10 at 4:22pmChellie, I appreciate your recent question. But, it doesn't feel useful to engage with you. Sorry.
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