Ramin Karimloo received rave reviews as Jean Valjean in both the West End and Toronto yet he is still not getting any nominations so far. I think Casey Nicholaw's chances of being nominated for Best Director at the Tonys are ver slim. But anything can happen. Some of the nominations I am very happy about are for Laura Osnes, Stephanie J. Block, Bill Pullman, Andy Karl, Adam Jacobs, James Monroe Iglehart, Ian Mckellen, Denzel Washington, Sutton Foster, Idina Menzel, and Bryan Cranston. They are plenty of others too.
No nomination for Best Play for Casa? What about Ramin for Les Miz? Yorke missing also? Cherry M.I.A.? What the ****?
On the plus side, glad Big Fish got nominated for its wrongly maligned score. Amazing the score got very good notices in Chicago but here it is to blame for the show closing early.
Even if Fun Home won both the OCC and Drama Desk, I still think the Tony will come down to either After Midnight or Gentleman's Guide. Hardly a wide-open field.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
I think the Drama Desks may give us a tie between Fun Home and Gentleman's Guide.
At the OCCs, where it's separate for off-Broadway, I am fairly certain Fun Home will win.
Drama League=Anybody's guess.
Fun Home does indeed deserve it (and had it transferred, we would have very little doubt as to who would win the Tony). I think next year it may get its chance.
WiCkEDrOcKS, I would LOVE that. One, because it's actually the Best Musical of the year & two because last year was such a nail biter, it would be even worse this year.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
THRILLED at how well “Bridges” did. They deserve it. I hope the Tony nominations follow suit.
But, “Love’s Labour’s Lost” for Outstanding Musical? And, no Cherry Jones? Thrilled for Celia, though. She stole the show for me.
I can’t believe how little love “If/Then” is receiving.
Happy to see the surprise (at least to me) nominee of Stephanie J. Block in “Little Miss Sunshine.” I thought she was the strongest in the cast – finding depth and genuineness in a script that didn’t have much.
Happy to see all of the “Fun Home” love, too (although Cerveris definitely should have earned a nom, in my opinion). I certainly think it stands a good chance at winning Best Musical for both the Drama Desk and the OCCs.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
The Tony's need to have a category like that. Best theatrical event. It has no book or actors so I do not see how it can be a musical in the traditional sense of the word. Contact should have been one as they went it one better with no dialog and canned music.
Agree re the set in Act One., Even the critics who did not like it sited the set. Methinks some of the committee here were a little sauced up if you get my meaning.
What? Love for Bobby Steggert in Big Fish but not Norbert Leo Butz? Dag. So happy about Bridges getting all the love it deserves, and super happy for John Douglas Thompson for Satchmo. I'm not surprised at If/Then getting mostly snubbed, I thought it was such a mediocre show.
To me, GENTLEMAN'S GUIDE just doesn't seem like a "Best Musical" winner. It reminds of NICE WORK or THE SCOTTSBORRO BOYS - a very nominate-able show, but not a slam dunk winner or favorite.
^ I think that's a good summary for every new musical this season though.
Of course I have my favorites, but there's no BOOK OF MORMON or HAIRSPRAY this year, that's for sure. No critical and financial juggernaut.
Updated On: 4/25/14 at 12:31 PM
So happy to see Adriane Lenox nominated for AFTER MIDNIGHT.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body