I know I’m in the minority, but I absolutely detested pretty much everything about The Band’s Visit. I found it to be mind numbingly dull beyond belief, meandering, and pointless. I am glad so many other are enjoying it, but I am definitely not one of them.
"There’s nothing quite like the power and the passion of Broadway music. "
"Frozen, SpongeBob, and Mean Girls are all contenders certainly!"
That's funny. This show picked the PERFECT season to open, and it is a virtual impossibility that anything will beat it for best musical. Lenk, too, is a done deal for actress.
bwayphreak234 said: "I know I’m in the minority, but I absolutely detested pretty much everything about The Band’s Visit. I found it to be mind numbingly dull beyond belief, meandering, and pointless. I am glad so many other are enjoying it, but I am definitely not one of them."
^^ All of this. I actually turned to my companion and went, "This is the show they were all talking about?" I don't get it - but I'm glad that this season, the "little" show is getting the accolades.
bwayphreak234 said: "I know I’m in the minority, but I absolutely detested pretty much everything about The Band’s Visit. I found it to be mind numbingly dull beyond belief, meandering, and pointless. I am glad so many other are enjoying it, but I am definitely not one of them."
I agree. I actually disliked the score by Yazbeck a lot. I liked "Answer Me" and the final encore by the band members but I thought Omar Sharif was/is cloying and have no idea why this score is getting so much praise.
It's only competition this season are all theme park shows, so I'm not surprised.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
The haters of this show really are loud on here. I've heard nothing, but great things from other people. Idk, what's up with ya'll. Did we see the same show?
The way the critics - and a lot of people on this board - have gone ape**** over both Spongebob and Ethan Slater, it really throws a scare into me, Tony-wise.
GeorgeandDot said: "The haters of this show really are loud on here. I've heard nothing, but great things from other people. Idk, what's up with ya'll. Did we see the same show?"
ACL2006 said: "It's only competition this season are all theme park shows, so I'm not surprised."
I wouldn't say that the rest of the new musicals this season are theme park shows, just more commercially driven.
Though it should be interesting to see what will win Best Musical at the Outer Critics Circle and Drama Desk Awards next year given that The Band's Visit was already eligible at both of those groups for its off-Broadway production last season.
bwayphreak234 said: "I know I’m in the minority, but I absolutely detested pretty much everything about The Band’s Visit. I found it to be mind numbingly dull beyond belief, meandering, and pointless. I am glad so many other are enjoying it, but I am definitely not one of them."
I completely agree. I saw the show this week with high expectations given the rave reviews and all the buzz about this being the Tony sure thing. I do not understand all the praise. Maybe it was more magical off-Broadway? I thought Tony Shaloub acted it well, /!: I enjoyed the big number towards the end (initiated by the "telephone guy", an underused Adam Kantor). But overall I was incredibly disappointed. I'm a big fan of smaller, thoughtful shows, but this just did not have enough to keep my interest, and the score was incredibly weak.
Wow. Everyone is entitled to their own opinion. But I never thought a David Yazbek score would be described as “Incredibly weak.” The Band’s Visit and Women on the Verge are his best work to date.