Since Christmas, I've read a few books already discussed her in lavish detail, for which I was late to the party (the Didion, the Proulx "Wyoming Stories," The Fonda autobiography).
I just yesterday finished the brand new biography of Hattie McDaniel, which was riveting. My mother was Georgian (I was born in Atlanta), and I grew up with the cult of GWTW all around me--taken to the film at 7, in downtown Washington,DC, and scared sh--tless by lots of it.
This book is revelatory about aspects of the Mitchell book and film that I wasn't as up on, including the huge vocal backlash against the novel at publication (NAACP and others), and McDaniel, pre and post Oscar. The book lands on a view of early civil rights activism that is too often ignored. Many people forget how strong it was in the 30s. The variety of responses to McDaniel taking the role of Mammy, changing it subtly (warmer, more humane) and more strategically (takes no prisoners in terms of white characters, and doesn't allow Rhett's sexual boundry busting to go unnoticed), and then being touted or tarred for it, are fascinating.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 2/9/06 at 02:59 PM