ErmengardeStopSniveling said: "I haven't heard anything recently about MOTIVE and DEAR ENGLAND transfers, but MOTIVE seems more likely based on subject matter."Acclaimed actors playing pop culture legends" vs "British Football Play." MOTIVE also has the Mendes factor + aslightlysmaller cast (19 vs 25)."
I was thinking it would make sense for Dear England to wait until after the Olivier nominations and/or wins to announce a transfer because to us philistine Americans "Award-winning British football play" is more appealing than "British football play".
That king Lear is going to the shed this fall I believe. Susan stroman got a nomination for choreography. Does anyone think Crazy for you will make its way across the pond?
Jordan Catalano said: "No. Crazy For You didn’t do very well over there and most probably won’t win any awards so there’s really no “buzz” for a transfer happening."
Which is a shame cause this was an incredible production. Got raves from the critics but failed to find an audience. Hey, at least we will have the experience of that first preview! Boy, the audience was WILD that night!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
Scott losing is not one I expected. His performance was perhaps even more acclaimed than Snook's, as a one person deal.
Updated On: 4/14/24 at 01:44 PM
Wallace killed it, of course, and Guys and Dolls is already a huge hit. But, it feels odd to not do Luck Be a Lady or Sit Down You're Rocking the Boat. Is Take Back Your Mink more iconic than I realize?
The Little Big Things reminds me of How To Dance in Ohio (in a negative way). I absolutely loved Ohio and I don’t think The Little Big Things will do well in NY. It seems like a smaller scale than Ohio.
HUGE WINS for: Snook’s play so far, Lloyd winning for Sunset BLVD and Dear England winning for Best Play.
jkcohen626 said: "Wallace killed it, of course, and Guys and Dolls is already a huge hit. But, it feels odd to not do Luck Be a Lady or Sit Down You're Rocking the Boat. Is Take Back Your Mink more iconic than I realize?"
No, you’re not wrong. Even in terms of Adelaide’s songs alone, there are several more iconic ones than Take Back Your Mink. It’s not the high point of the role, but if you’re gonna highlight Wallace, this is arguably the most fitting number she has for the Oliviers. I’d personally have loved to see her do Adelaide’s Lament or have her and Daniel Mays do Sue Me, but I’m sure the team didn’t want to have just one or two actors onstage.
They probably also figured the two signature numbers have been done so often it was worth bringing out a deeper track. This production has already showcased Sit Down You’re Rocking the Boat before, and they probably wouldn’t want to showcase Andrew Richardson doing Luck Be a Lady over a significantly more acclaimed costar.
That Sunset Blvd performance was pretty spectacular. Reading about how it’s handled and seeing just how it’s done are two whole different things. Had chills the whole time.
I thought the Sunset performance was such a nothingburger, exactly as it was during the show too. The actual material itself lands without any impact, it's purely about them getting the technical timing right. It barely even relates to/ situates itself among the lyrics.
butlervyer said: "I thought the Sunset performance was such a nothingburger, exactly as it was during the show too. The actual material itself lands without any impact, it's purely about them getting the technical timing right. It barely even relates to/ situates itself among the lyrics."
Lol yall move so quick when anyone praises this production. It’s inarguably a feat to pull off.