I don't feel very strongly against the use of the extant songs, more surprised, but I did find it a bit distracting. (Except "Hip to be Square," which was both expected and diagetic in the scene.) Much of Sheik's score is successful in creating a nightmare stylized pastiche of 80s styles, so I did not feel he needed any real period songs to augment the sense of time. Dramatically, they fit in terms of vibe (which is more how Sheik writes anyway, rather than true storytelling), but they are hardly literally specific to the situations. This is often my beef with jukebox shows. Finally, yes, they DID take me out of the moment. And judging by the murmurs that met "In the Air Tonight" and "Don't You Want Me" (over and diminishing the action) a few nights ago, I wasn't alone.
At intermission, a woman asked "So is all the music 80s? I only know some of the songs."
Her friend answered, "Yes, but I think they changed the lyrics to some."
So the confusion may be greater for casual viewers. But you can also take that as a testament to Sheik successfully conjuring the period in his own numbers.
Updated On: 3/31/16 at 06:02 PM