Unless some cast members have a few scenes off they're already in intermission. That's one short act 1!
2008: Feb. 18- Rent, Feb. 19- Curtains, April 18- Xanadu, April 22- Wicked, April 26- Legally Blonde, May 31- Wicked, June 13- The Little Mermaid, June 28- Wicked and Young Frankenstein, July 2- The Little Mermaid, July 6- A Chorus Line and Legally Blonde, August 16- Xanadu, September 13- Legally Blonde and 13, September 28- Xanadu and Spring Awakening, Oct. 12-GYPSY and [title of show], Oct. 19- Hairspray & Legally Blonde, Nov. 9- Wicked and 13, Dec. 14-13, Dec. 26- Billy Elliot, 2009: Jan 1- Shrek, Jan 2- 13 and Wicked, Jan 4- 13, Feb 17- In The Heights, Feb 19- Billy Elliot, Feb 22- Sweeney Todd (tour), March 28- Mary Poppins, April 4- Mamma Mia!, April 15- Jersey Boys (on tour), April 25- next to normal & 9 to 5
May 1- Billy Elliot, May 3- Spelling Bee (tour), May 8- Chicago, May 21- Wicked, June 6- Everyday Rapture, June 23- The Wiz, June 25- Hair July 15- Shrek, August 9- Wicked, September 7- Rock of Ages, October 11- Next To Normal, October 23- The Marvelous Wonderettes, November 7- Ragtime November 29- Dreamgirls, December 25- Billy Elliot, December 30- Finian's Rainbow, 2010: January 9- Bye Bye Birdie, January 16- Memphis February 17- The Phantom of The Opera, February 18- God of Carnage, March 7- Billy Elliot, March 31- American Idiot
Despite rough performances (that will be better by opening, I'm positive) from John and Gina, the show is perfect. The costumes, the sets, the choreography, the lights. Everything. It's exactly what BIRDIE should be. Fun as hell. And the score sounds as good as ever. My only complaint is the theatre queens around me nitpicking everything (naturally). But that's beside the point.
Lol Blaxx. I also love the "it's perfect except, x, y, z, etc, etc". It's the new "all I can say is...wow!" followed by a lengthy review. Well if all you can say is wow, why are you saying anything else? And if it's perfect why did you follow that by a list of things that are imperfect?
I agree, can I have a review not given by a self-appointed shill who would enjoy the show even if they murdered children during "A Lot of Livin' to Do" and farted on their face during "Put on a Happy Face"?
Oh, just let the boy (girl?) have their say. I for one am curious about the production. We can all diligently screen the histrionics within the review.
As I said earlier, ColorTheHours was already in love with the show before he even saw it. The fact that he walked away "loving" it is hardly a surprise.
I'm much more interested in hearing ljay's take on things.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
We can only hope this will get better. I have no idea whether it was the acoustics or the actors, but everyone including the orchestra (with the exception of BIll Irwin) were not singing out. I was sitting in the center orchestra and there were parts where it seemed as if the orchestra (even during the overture) and actors were holding back. Maybe it's been a rough week of rehearsals, but even little Allie Trimm was not singing out like I've seen her before in previews for "13".
Matt Doyle was adorable. Great voice, great acting. He really is invested in his part.
Bill Irwin was phenomenal. Truly a seasoned actor, good enough singing voice. He scored the majority of the laughs.
Dee Hoty was okay. Spot on as Mrs. MacAfee, but overshadowed by Irwin.
Jayne Houdyshell did a great job of being Albert's annoying, controlling mother.
Allie Trimm was good. Not great like I had expected, even though with all new roles and rough rehearsal hours on a teenager, she shined more in "13". It seemed like she too was holding back... a lot. She was cute and fit the part, but didn't quite fit into one of the lyrics as being taller than Hugo.
Nolan Gerard Funk did well for his debut. He's very built as the audience gets to see when he enters for breakfast at the MacAfee house in nothing more than tube socks and boxer briefs. His singing was nice and his characterizations were close to dead on.
John Stamos was adorable, but very stiff, as a previous poster had noted. He'll melt into this part in no time. His charm and mellow voice did him well, albeit still soft spoken like many of the actors.
And here is where the ball drops... Gina Gershon. Every time she opened her mouth it was like buzz kill to the show. She reminded me of Christina Applegate in "Sweet Charity": not really singer, but an okay to good actress. Her voice killed the show and each scene she was in. Andrea Burns would have killed in this role, but as a friend pointed out, she may have very well outshone Stamos. I loved Gershon in Boeing-Boeing, but this was not her niche. To Gershon's credit, she redeemed herself slightly towards the end of the show when she exaggerated her Spanish on Mae Peterson. Her comedic timing is good, but lets put it this way, Allison Janney sings like Celine Dion in comparison to Gershon.
I see why Roundabout paired the two actors as both a box office draw and the previous experience that each of them has with Roundabout, but even with previews... this birdie has a lot of flying to do before it gets off the ground.