Anyone who's followed me on here will not be surprised to hear me go to bat for "Quiet" from MATILDA or "Work the Wound" from PASSING STRANGE, but those are two of the most outstanding compositions of this decade for me. I'd also add the title song from THE LIGHT IN THE PIAZZA.
There's a lot of songs from scores I love as a whole (THE BOOK OF MORMON, AVENUE Q, IN THE HEIGHTS, etc) that don't stand out as individual compositions, and that's ok as not every song needs to, but those three I mentioned above stand head and shoulders above the fray for me.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.