Broadway Grosses: Week Ending 6/2/24

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

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Up for the week by attendance (% of capacity) was: HOME (4.2%), HARRY POTTER AND THE CURSED CHILD (4%), AN ENEMY OF THE PEOPLE (0.1%),

Down for the week by attendance (% of capacity) was: UNCLE VANYA (-21.3%), BACK TO THE FUTURE: THE MUSICAL (-14.3%), PATRIOTS (-10.4%), A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (-9.7%), & JULIET (-8.8%), THE NOTEBOOK (-8.3%), WATER FOR ELEPHANTS (-8.3%), MJ THE MUSICAL (-8.3%), CHICAGO (-7.4%), APPROPRIATE (-6.9%), THE WHO'S TOMMY (-6.4%), THE HEART OF ROCK AND ROLL (-6.2%), MARY JANE (-6.1%), THE GREAT GATSBY (-5.6%), MOTHER PLAY (-5.5%), THE BOOK OF MORMON (-5.1%), THE WIZ (-4.9%), MOULIN ROUGE! THE MUSICAL (-4.6%), SUFFS (-4.6%), ILLINOISE (-4.5%), THE LION KING (-3.8%), ALADDIN (-3.4%), HADESTOWN (-2.6%), HAMILTON (-2.3%), SIX (-1.5%), THE OUTSIDERS (-1.5%), WICKED (-1%), STEREOPHONIC (-0.9%), CABARET AT THE KIT KAT CLUB (-0.8%), HELL'S KITCHEN (-0.2%),

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hearthemsing22 said: "Yiiiiikes. Why is Heart of Rock and Roll holding on so long? Maybe just trying to squeak by through the Tony's, then they'll close? I hate to say that but it does not look good"

Is "Heart of Rock n Roll" performing at the Tonys? Might be the only reason it's still running.



Ben's numbers aren't terrible, but not great, either.

If anyone was wondering about the dip at Uncle Vanya- Steve Carell was out for five performances this past week and LCT offered refunds or exchanges. I went to the show Saturday night and it was around half full. The Vanya understudy, Robert Stanton, was very good.

Good on Hell's Kitchen, Suffs, The Outsiders, and Stereophonic - new shows staying level/increasing grosses as others took dips this week. Here's hoping maybe some tourists on summer break and Tony buzz can get some momentum going.

Has any show with zero nominations ever performed? Seems like an odd choice when there are def shows with at least SOME noms that would love the chance.

& JULIET continuing to dip is interesting. MOULIN ROUGE also took a hit this week.

Heart of Rock and Roll has a ton of producers. Maybe they're all putting money into it to keep it open until they can put it up for tour and licensing, amateur productions, etc? Check out how many producers they have!

https://playbill.com/personlistpage/person-list?production=eb84f560-35bd-40ab-a955-e3f1526a6d62&type=cp#cc

There’s also a cast recording already waiting to be released.

starlightlocamotion said: "& JULIET continuing to dip is interesting. MOULIN ROUGE also took a hit this week."

Not worried about &JULIET yet. When a show starts to stunt cast, that's when I'll worry

dramamama611 said: "Has any show with zero nominations ever performed? Seems like an odd choice when there are def shows with at least SOME noms that would love the chance."

I can see The Great Gatsby performing- their Korean producer seems to be willing to throw a ton of cash at this production.

nasty_khakis said: "Some producer recently told me that a lot (not all) of shows are done on broadway knowing they're probably going to fail or struggle but they know they'll make a fortune in both regional and amateur licensing. Heart of Rock and Roll is a fun choice for high schools because of the bigger ensemble, dance numbers, easy paint by numbers love story, etc. Not saying that's what these specific producers are thinking/doing but sometimes you just know high schools are going to all do Back to the Future even without the special effects."

It would be unusual (but not unheard of) for a show that flops on Broadway to make a fortune in licensing. Some money? Yes. A fortune? Probably not.

DramaTeach said: "itsjustmejonhotmailcom said: "nasty_khakis said: "Some producer recently told me that a lot (not all) of shows are done on broadway knowing they're probably going to fail or struggle but they know they'll make a fortune in both regional and amateur licensing. Heart of Rock and Roll is a fun choice for high schools because of the bigger ensemble, dance numbers, easy paint by numbers love story, etc. Not saying that's what these specific producers are thinking/doing but sometimes you just know high schools are going to all do Back to the Future even without the special effects."

It would be unusual (but not unheard of) for a show that flops on Broadway to make a fortune in licensing. Some money? Yes. A fortune? Probably not."

Tell that to Fester, Gomez, and the other Addams’."

They said unusual, not that it never happens