"Mr. Cellophane" - CHICAGO
"Javert's Suicide" - LES MIS
"Halloween" - RENT
"Man Say" and "You Done Right" - RAISIN
Comically winning the hearts of the audience through powerlessness, "Never the Luck" - THE MYSTERY OF EDWIN DROOD
And, comically subverting the trope, "I'm All Alone" from SPAMALOT
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.