Broadway Legend Joined: 11/9/04
Show will close April 8th. She's still cursed.
https://www.broadwayworld.com/article/CARRIE-Extension-Cancelled-Show-to-Close-April-8-20120323
Broadway Legend Joined: 7/22/03
I'm sorry you guys. I know a lot of you really think there's something of value buried somewhere in the very notion of Carrie: The Musical.
Aww- That's too bad! My daughter and I really enjoyed it! (the good and the bad)
Broadway Legend Joined: 11/9/04
I didn't love the production at all. Thought it was beyond boring. But I do love some of that score... Too bad. I guess they weren't selling as well as they'd thought.
I do feel bad for anyone who planned travel based on the extension.
Shocker!
I am very glad to have had the opportunity to see a production of this show, not to mention Marin Mazzie. However, the show was terrible. It had very few promising moments. Most were in the design and not the actual performances. I was bored by the ensemble who appeared to be cast from American Idol rejects, but that is another topic entirely. This production should be grateful that they had a run, at all.
The production obviously had major show queen interest, but I think that was the only audience clamoring for Carrie's return. Once word got out that the show still isn't great, and even more that it's super serious and not much fun, the general theatregoing audience wasn't interested.
I agree that it was a bad idea from the word go; unfortunately it seems that in the theatre, no one recognizes a bad idea until it loses money (probably because a lot of bad ideas have been bizarrely successful).
Ugh. Bad news. I saw it on Tuesday and thoroughly enjoyed it, if only to hear Marin sing When There's No One.
I certainly don't think the idea to try the show again was a bad one, but I do feel this revival though well meaning was misguided. Just bringing back the original script/score with a tongue in cheek homage to the original staging probably would have ultimately been a lot more fun and a lot more successful.
Just bringing back the original script/score with a tongue in cheek homage to the original staging probably would have ultimately been a lot more fun and a lot more successful.
Agreed. Trying too hard to cover up its flaws? Much easier to show why it was such a big deal in the first place. At least more entertaining.
Broadway Legend Joined: 7/22/03
If it had major show queen interest it certainly would have sold through an extension. Given that extension ticket buyers are offered the opportunity to reschedule for earlier shows, I would have to say this reflects almost no show queen interest at all. It's the Lucillie Lortel, not the Palace.
Although it's always unfortunate when a show closes (for the cast and crew), this show wasn't very good and I'm not surprised. I would be surprised, though, if Molly Ranson doesn't land a good role in the near future.
Chorus Member Joined: 12/14/10
I thought the show was fantastic. I'll look forward to regional life. If nothing else, the material will allow tons of professionals to have a creative blast in other productions.
That's such a shame! I know a lot of people who were really excited about seeing it.
Broadway Legend Joined: 7/22/03
"If nothing else, the material will allow tons of professionals to have a creative blast in other productions."
Why do we think that will happen at all? Because it's being taped for the Lincoln Center Archives? There's no cast recording, it couldn't sell in an Off-Broadway teeny theater.
Will the show be licensed, or is it going back in the vault for good?
I think that remains to be seen. As others have pointed out, if the show is licensed, the creative team is going to have to accept that a lot of productions will (regardless of the terms of the contract) likely include material from the original script/score, or at the very least stage the show in a way that borders on camp/parody.
Since they were so uptight in their desire to completely eradicate those elements for this staging, I think the verdict is still out if they are going to allow productions to be staged that are outside of their control.
I think they should musicalize THE SHINING next, but make it a story about writer's block.
Broadway Legend Joined: 5/18/03
When I saw the show, the only GLARING problem I had with the show were the often awkward moments of Sue's narration, flipping out of and back into the scene.
Beyond that, any other groan - inducing moments were, for me, the product of Stafford Arima's inability to direct and the choices he led his cast and creatives to make, particularly working in a black box space. Yes, 17 actors and 8 musicians is quite impressive in such a small theatre - on paper, but there were no students at the prom! The direction was sloppy and the blocking was often a mess. The first levitation effect was great, but where he staged it robbed the scene of all impact... until the end of act one, where the window effect would have been great were they not basic projections. Too many missed opportunities abounded in moments such as that. Having the unit set be the destroyed gym meant that there was nowhere to go for the actual destruction. The actual bucket drop was a let down, but the blood splash was great.. until the girl playing Chris stepped into the red spotlight on Carrie... and having the men die hanging on the wall and the streamers seemed to have followed Carrie home from the prom? Bad choices..
As far as casting goes, I rather enjoyed Ranson, Tolpegin (Mazzie was out..), Altomare, Cusack, Klena, Boardman, Mientus and Noble. De Waal and Thompson was comically bad. The rest I could have done without and didn't leave any impact
I think they should musicalize THE SHINING next, but make it a story about writer's block.
LOL
'Salem's Lot, the musical, about a town full of misunderstood insomniacs.
I think recording the show will be the only thing not to make this venture a complete waste of time. Audiences apparently do not want to see this show (ticket sales were much slower after the show opened. Maybe we can coin this the "FOLLIES effect" :P? The show sells out early on because of keen/eager fans and theatre goers and then extends but staggers till closing after the fans have all seen the show and it doesn't catch on with the general public), and I doubt it is going to go to Broadway. But finally having the score, much of which sounds better here than ever (e.g. IN) preserved in a studio, will preserve the changes/performances/show, finally.
CUJO: THE MUSICAL. A story about the dire importance of vaccinations.
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