Company Commentary Thread — Page 9
Posted: 2/20/08 at 11:37pm
oh, like I said, Being Alive would be the one thing that would be like.. a problem in it's working as a straight play. Becuase you NEED that song. Heck, that song alone- and Raul's MORE than insane performance of it- was worth the entire price of the ticket alone!! But no, even just in terms of the show itself, Being Alive is fundamental. I totally get that. But I just felt like almost every other song.. I actually got BORED during a lot of them. Then when it would get to the acting parts I would get drawn in again. And that very, very rarely happens for me.
Again, over all I DID like the show, and I DID recognize it's beauty. I just didn't like the score in general. But, you know, that's just me, and life wouldn't be interesting without differences in opinion and taste
Posted: 2/20/08 at 11:38pm
Posted: 2/20/08 at 11:41pm
Anyone watch it in HD? It just made the whole thing better.
This just proves again why Raul SHOULD of taken the tony last season; and why Heather Laws also deserved a nomination. Maybe even Elizabeth Stanley too.
Updated On: 2/20/08 at 11:41 PM
Posted: 2/20/08 at 11:41pm
*sigh* I feel like I have to go reflect on what just happened for a few hours now...
Does the earth really spin around the sun?
What's it matter in the least?
What's real to me ain't real to everyone.
Posted: 2/20/08 at 11:42pm
Posted: 2/20/08 at 11:44pm
*tries to control the urge to vent and type obseneties in big, bold caps*
Posted: 2/20/08 at 11:45pm
Posted: 2/20/08 at 11:47pm
Posted: 2/20/08 at 11:48pm
Posted: 2/20/08 at 11:48pm
Posted: 2/20/08 at 11:49pm
Posted: 2/20/08 at 11:50pm
Can you get me the phone number and adress to order from the end? I would really appreciate it (I'd order it from the website, but I can't)
Posted: 2/20/08 at 11:50pm
nope, this is my first :) But I mean, this is a general thing I have with Sondheim (I'm sure there are probably a pretty good portion of people in here who are very well aquainted with my views in this regard lol). In pretty much every one of his shows that I know of, there are a couple of songs I really love, and the rest I just simply don't like. I don't know... but I just know I'll take Jonathan Larson, JRB, or Tom Kitt over Sondheim any day.
Posted: 2/20/08 at 11:51pm
Posted: 2/20/08 at 11:51pm
Posted: 2/20/08 at 11:52pm
Posted: 2/20/08 at 11:56pm
Well, now I've seen one of them, and I'm shaken.
This was such a wonderful, poetic staging of the show, and one that really brought out what the show could be. All that frustrated me is that it didn't go all the way and bring out all the potential.
As I was watching, I kept thinking that Doyle had staged the show according to Hal Prince's original quote on the show: "I wanted a show where people would scream in laughter for two hours, and then go home and not be able to sleep".
Unfortunately, this leads to some bits being far too comic for their own good (especially the "Not Getting Married" scene, including dialogue). Of course, half the blame should be given to George Furth, but the comedy didn't need to be amplified as much as it was.
Other notes:
-The company, save for Heather Laws at certain moments, was exceptional. Joanne's husband was the best for me: his speech about how Bobby should find someone just like Joanne made me choke up.
-The taping was great, but someone should have held Mr. Price off on all those damn soap-opera zoom-ins.
-The staging was so poetic that I literally felt I was inside the world with everyone else.
-Raul... is the shizzle...
FINALLY: For a show described as "cold", I was amazed at how cathartic an experience the whole thing was.
Well done, Mr. Doyle. Well done, cast. Well done, Raul. And well done, Mr. Price.
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Updated On: 2/20/08 at 11:56 PM
Posted: 2/20/08 at 11:57pm
Posted: 2/20/08 at 11:59pm
Ah, what would I do without you my beautiful Samsung?
Posted: 2/20/08 at 11:59pm
Posted: 2/20/08 at 11:59pm
Posted: 2/21/08 at 12:03am
snl, do you not realize that without the score (especially in relation to Bobby's character), there would be close to zero character development? People complain about him being a cold character to begin with. Without Someone is Waiting, Marry Me a Little and Being Alive, not only would we not understand Bobby, but we wouldn't care about him either. This discussion has nothing to do with this production of Company in particular; we're talking about the material itself, so really, you can stop reiterating your obsession over Esparza. We know.
First off, my comment on Raul was completely seperate from the discussion of the material. People had been bringing up the Tony's, and yes, becuase Raul was a big part of why I DID enjoy the show, I made a comment about it. But just clarifying: that had NOTHING to do with the previous discussion of the material, and if it seemed like it did then I apologize.
Now, continuing with the other discussion: I'm not so much saying that I think all the music could be cut out just like that and the show would still be able to hold up. I do get that a lot of the songs, lyrically, are very important to the story and the character developement. I simply mean that, unlike in most musicals I see where the music itself tends to strengthen the piece, with Company it was almost like I personally had to look PAST the music in order to enjoy the show. So that's really all I meant- that I felt the straight acting scenes were much stronger than the music itself. Not so much that I actually would expect that the music could be taken out, without any re-writing whatsoever, and it would be perfect.
and thinggoes, thank you- I may actually do that! I'm kind of interested to see if I do like the other orchestrations better :)
Updated On: 2/21/08 at 12:03 AM
Posted: 2/21/08 at 12:10am
Being Alive doesn't work without Someone is Waiting, or nearly as well without Marry Me a Little. Obviously it CAN work without Marry Me a Little, but having it there makes the ending payoff all that much stronger. You need him to be in that state of denial first. People always say that the key to musicals is that the characters sing because they can no longer express themselves simply with the spoken word. If these songs take place in his head, Bobby is a perfect example of that. And it's not hokey or contrived to hear him say these really intimate things because it's sung. You suspend your disbelief.
Posted: 2/21/08 at 12:14am
However, the cast and book made up for that. I loved pretty much every bit of dialogue throughout. The book is magnificent. I also LOVED Raúl, Barbara, and Heather. Raúl's nuances that were especially noticeable on TV were great additions to his character.
I feel as though I'd like the original production more than this one, just because the problems I have with this version stem from Doyle's direction. Too bad the original Company was way before my time...I'd love to have seen it though!
Updated On: 2/21/08 at 12:14 AM
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