Uhm, Brick? Given that he's British, it's conceivable that folks over there wouldnt care to know who Andrew Jackson was. I mean, can you tell me the name of the first Canadian prime minister without looking it up on Google?
Insofar as the Bway run, I was a little surprised to see the early closing notice. The show's surprisingly good IMHO, and it had serious eye candy for a lead that would appeal to the teen-girl audience that have now aged out of LITTLE MERMAID and WICKED (and kpet those shows running for as long as they have). Not saying it should have been a sure thing, but it does surprise me.
I saw BBAJ a fwe weeks ago when I was in NYC, and while I appreciated Benjamin Walker's charismatic performance, I found the writing very juvenile.
I thought SCOTTSBORO BOYS a far better show.
That said I am sickened that Broadway no longer seems to welcome original musicals. All we are left with are rehashes of popular films with name recognition, Jukebox shows built around pre-existing song catalogs and revivals of older hits.
I give producers full credit for trying. It seems a sound idea to try out a show off Broadway and work out the kinks before trying a full commercial run. Yet it always seems they sell the exact same number of tickets but with the higher operating costs of a Broadway house.
I blame the outrageously high Broadway ticket costs. People will only buy what they can feel reasonably assured of enjoying.
It's sad but I think it's all over for Broadway in terms of original and challenging new musicals.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
caught the show last night...and glad i did. i totally get why people were a bit polarized by it tho. Not even addressing the fact that the Public brought it to Broadway after the successful run it had downtown (and at the Kirk Douglas in LA)
Benjamin Walker is amazing, charismatic and a true Broadway talent. The show itself is good...so catch it, ahem, while you can
the direction was flawless and the theater was designed (not just the set but the theater as well) so perfectly...lighting, taxidermy, the mis-en-scene (can i use that word for talking about the props etc?)
That said I am sickened that Broadway no longer seems to welcome original musicals.
Aren't In the Heights, Avenue Q and Next to Normal original? Completely original musicals have always been rare and their success is even rarer. I don't think there's anything that qualifies this as a new trend. Most musicals are adapted from something. Still, Spring Awakening and Light in the Piazza had original scores and neither were based on popular films of recent memory. And personally, I thought both Billy Elliot and Legally Blonde stood on their own as musicals and prefer them both to their film predecessors.
Either way, I didn't see BBAJ as a commercially viable piece for Broadway and being an out-of-towner, I have seen much marketing for the show. I often forgot it had opened. I thought Scottsboro might fare better given the pedigree of its creators, but I didn't expect an out-and-out hit, especially during the holidays when tourists generally seek out lighter or more familiar works.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian