JBroadway said: "@Dollypop
Sounds like you’ve been unlucky in your Macbeths. As mentioned above, the Goold production was excellent (I didn’t get to see it live, but I love the film translation they did for it). Carrie Cracknell did a really strong production at the Young Vic some years ago. Then in NYC, we had Erica Schmidt’s recent production at the Lortel, with a cast of young women – that was excellent. And Yukio Ninagawa’s production from the 80s came back to NYC a couple years ago, and I thought that was also brilliant. And those are just the ones I’ve personally seen – Macbeth is done all the time, everywhere. There’s bound to be plenty of duds, even among the high-profile production.
On that note though - It does seem strange to me that we’re getting yet another production of Macbeth on Broadway in such a relatively short amount of time – compared with many Shakespeare plays that have barely been produced in NYC recently, let alone on Broadway. I get the criticisms about wishing they would put their star power toward new talent. From an audience standpoint though, I don’t really care. I’m used to see people do and re-do Shakespeare. I once saw 6 productions of 12thNight in less than 2 years.
And yeah, I think Hogan raises a good point. Rudin’s specialty as a producer was attracting high-profile stars, and pairing them with some combination of iconic roles and/or significant directors/playwrights. Many worried that we wouldn’t see as much of that after Rudin’s downfall, but this is a good example of that."
Getting stars of Craig’s standing to do new work is really very difficult. It’s so much more risk for a movie star to take