thedrybandit said: "TaleofTwo said: "Another Broadway show filmed inthe West End due to crazyunion regulations."
Crazy union regulations like paying the people who do the work that the company filming it will be profiting off of?"
No.
It's not about the money but about the regulation around it. 30 different contracts to record one Broadway show makes this both a nightmare and a big financial risk which is not worth it if you're not recording 'Hamilton'.
"Movies will make you famous; television will make you rich; but theatre will make you good." - Terrence Mann.
thedrybandit said: "TaleofTwo said: "Another Broadway show filmed inthe West End due to crazyunion regulations."
Crazy union regulations like paying the people who do the work that the company filming it will be profiting off of?"
It's really hard though. Like I think we need to be thankful for unions because the working conditions on Broadway are much higher than they would be otherwise. It's nice that people can make a career out of it, and I'm sure it only promotes healthy competition of performers & creatives so that the quality remains the best in the world for musical theatre (in my opinion). However, in the case of audio + visual filming on Broadway no one is really making any money out of this, and it only can help the carer of the people who are apparently being 'protected' by helping create exposure and ensuring memories are not forgotten.
Would Bernadette Peters be as big a star as she is if it weren't for the filmings of Sunday and Into the Woods? I doubt it.
Not to sound like a Republican, but sometimes you do have to give a bit more freedom to encourage job creation, innovation & growth. Making it prohibitively costly to film Broadway shows is probably hurting the careers of those that could be featured more than helping. Not to mention the great artistic loss of shows disappearing forever (though the Lincoln Archive thankfully is helping with this in the mean time).
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Oh dear, I hope the cast isnt the same one I saw last April, the 2 leads were dreadful and couldn't harmonize at all in "A whole new world" was just awful singing.
http://www.flickr.com/photos/27199361@N08/ Phantom at the Royal Empire Theatre
Ainsley Melham, who was Australia’s original Aladdin and just recently finished a stint playing the role on Broadway, played Aladdin in the live taping. He’s really good. Seems like he just played the role for the taping, not having performed in the West End produciton previously. His Aussie co-star Robert Tripolino seems to have also been in the cast. He was the original Omar in Australia. He is now playing Jesus in ‘Jesus Christ Superstar’ in London.
Jordan Catalano said: "Ill never be mad at a show being filmed for release but I hate that they’re Now always with the closing casts. "
With this it’s not even the closing cast, though. The west end cast finished up about a week ago. Seems like they just brought in Ainsley, Isabelle and co for one performance or perhaps a week of filming. Isn’t that how newsies did it?
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Disney+, probably. No way they'd license this someplace like Netflix (or Bway HD) now. It's cheap enough for a streaming service, and they can say "if you liked Aladdin (2019) or Aladdin (1992), you'll love Broadway's Aladdin in London!"
Wish they got James Iglehart's performance on tape.
I always assumed the productions are replicas of each other, but the sets look slightly different? I'm guessing this is the cave of wonders in all photos.
ErmengardeStopSniveling said: "Disney+, probably. No way they'd license this someplace like Netflix (or Bway HD) now. It's cheap enough for a streaming service, and they can say "if you liked Aladdin (2019) or Aladdin (1992), you'll love Broadway's Aladdin in London!"
Wish they got James Iglehart's performance on tape."
I wish for both James and Jonathan Freeman but oh well
Kad said: "qolbinau said: "Would Bernadette Peters be as big a star as she is if it weren't for the filmings of Sunday and Into the Woods? I doubt it.”
Peters was already a Golden Globe-winning star,and had appeared in ten movies and countless television episodes by that time."
...including her numerous appearances on talk and variety shows (especially the Carol Burnett Show) long before "Sunday..." or "...Woods".
RippedMan said: "What makes the physical productions different?"
Generally, things are newer and were built with the advantage of having done it a few times already and gotten the kinks out. Small details may not be noticed by most in a theater, but could be in a 4K closeup.
Specifically, the London Cave of Wonders has a different (more vivid and shiny) gold treatment and a few years’ less pyro dust and tarnish on it. The magic carpet flight is also more advanced.
It's terrific whenever musicals get filmed, but it seems such a shame when the Broadway actors who originated those roles don't get to re-create them. I wonder if any thought was given to asking Adam Jacobs, a Drama Desk nominee, and James Monroe Iglehart, a Tony winner, to tape ''Aladdin.''
When Disney taped the national tour of ''Newsies,'' I was thrilled they brought back Jeremy Jordan, Kara Lindsay and Ben Fankhauser, its original Broadway principals.
My guess is that sometimes you can 'age out' of a role. Adam Jacobs is, I believe, 37... Maybe he's now just too old to be playing a character that's supposed to be teen aged or there about.
Batboysings, that's a good point. When I saw ''Aladdin,'' I remember Adam as still looking young and boyish. Turns out he's now 40. Ainsley Melham, on the other hand, is 27. I don't know how old Matthew Croke, the last Aladdin on the West End (I think), is, but Ainsley looks younger than him.
But that still leaves Iglehart. Aren't genies ageless?