Stage and screen star Norm Lewis will announce the 69th Annual Drama Desk Awards nominations on April 30 at 12:50 PM on Spectrum News NY1. Norm will make the announcement with On Stage host Frank DiLella and Spectrum News NY1 anchor Rocco Vertuccio.
This year’s Awards are taking place on Sunday, June 1 at the NYU Skirball and will be hosted by Debra Messing and Tituss Burgess.
The 69th Annual Drama Desk Awards are Executive Produced by Staci Levine and Jessica R. Jenen. For the first time, 100% of net proceeds from the Drama Desk Awards benefits the Entertainment Community Fund. Charles Wright and David Barbour are the co-Presidents of the Drama Desk.
As has been the case, all performance categories will be gender-free. The updated gender-free categories are: Outstanding Leading Performance in a Play, Outstanding Leading Performance in a Musical, Outstanding Featured Performance in a Play, and Outstanding Featured Performance in a Musical.
Each of these categories will have twice as many nominees as the former gendered categories and voters will cast two votes for each category. These categories will also have two winners each. If there is a tie, there may be more than two winners in a category. Additional details will be announced shortly.
What sets the Drama Desk Awards apart is that they are voted on and bestowed by theater critics, journalists, editors, and publishers covering theater. The Drama Desk Awards honor all aspects of New York’s professional theater.
Thoughts on the noms?
https://www.dramadeskaward.com/nominations-1-1
2025 Drama Desk Award Nominations
Outstanding Play
Blood of the Lamb, by Arlene Hutton
Deep Blue Sound, by Abe Koogler
Grangeville, by Samuel D. Hunter
John Proctor is the Villain, by Kimberly Belflower
Liberation, by Bess Wohl
Purpose, by Branden Jacobs-Jenkins
Outstanding Musical
BOOP! The Musical
Death Becomes Her
Just in Time
Maybe Happy Ending
Music City
Outstanding Revival of a Play
Eureka Day
Garside’s Career
Home
Wine in the Wilderness
Yellow Face
Outstanding Revival of a Musical
Cats: “The Jellicle Ball”
Floyd Collins
Gypsy
Once Upon a Mattress
See What I Wanna See
Sunset Blvd.
Outstanding Lead Performance in a Play
Betsy Aidem, The Ask
Laura Donnelly, The Hills of California
Patsy Ferran, A Streetcar Named Desire
Danny J. Gomez, All of Me
Doug Harris, Redeemed
Patrick Keleher, Fatherland
Louis McCartney, Stranger Things: The First Shadow
Lily Rabe, Ghosts
Jay O. Sanders, Henry IV (Theatre for a New Audience)
Sarah Snook, The Picture of Dorian Gray
Paul Sparks, Grangeville
Olivia Washington, Wine in the Wilderness
Outstanding Lead Performance in a Musical
Tatianna Córdoba, Real Women Have Curves
Darren Criss, Maybe Happy Ending
Sutton Foster, Once Upon a Mattress
Tom Francis, Sunset Blvd.
Jonathan Groff, Just in Time
Grey Henson, Elf
Jeremy Jordan, Floyd Collins
Audra McDonald, Gypsy
Jasmine Amy Rogers, BOOP! The Musical
Nicole Scherzinger, Sunset Blvd.
Helen J. Shen, Maybe Happy Ending
Jennifer Simard, Death Becomes Her
Outstanding Featured Performance in a Play
Greg Keller, Pre-Existing Condition
Julia Lester, All Nighter
Adrienne C. Moore, The Blood Quilt
Deirdre O’Connell, Glass. Kill. What If If Only. Imp.
Maria-Christina Oliveras, Cymbeline
Maryann Plunkett, Deep Blue Sound
Michael Rishawn, Table 17
Jude Tibeau, Bad Kreyòl
Anjana Vasan, A Streetcar Named Desire
Frank Wood, Hold On to Me Darling
Amalia Yoo, John Proctor is the Villain
Kara Young, Purpose
Outstanding Featured Performance in a Musical
Brooks Ashmanskas, Smash
Nicholas Barasch, Pirates! The Penzance Musical
André De Shields, Cats: “The Jellicle Ball”
John El-Jor, We Live in Cairo
Jason Gotay, Floyd Collins
Gracie Lawrence, Just in Time
Jak Malone, Operation Mincemeat
Lesli Margherita, Gypsy
Zachary Noah Piser, See What I Wanna See
Jenny Lee Stern, Forbidden Broadway: Merrily We Stole a Song
Michael Urie, Once Upon a Mattress
Natalie Walker, The Big Gay Jamboree
Outstanding Solo Performance
David Greenspan, I’m Assuming You Know David Greenspan
Ryan J. Haddad, Hold Me in the Water
Sam Kissajukian, 300 Paintings
Mark Povinelli, The Return of Benjamin Lay
Andrew Scott, Vanya
Outstanding Direction of a Play
David Cromer and Caitlin Sullivan, The Antiquities
Stephen Daldry and Justin Martin, Stranger Things: The First Shadow
Tyne Rafaeli, Becoming Eve
Jack Serio, Grangeville
Danya Taymor, John Proctor is the Villain
Whitney White, Liberation
Kip Williams, The Picture of Dorian Gray
Outstanding Direction of a Musical
Michael Arden, Maybe Happy Ending
Zhailon Levingston and Bill Rauch, Cats: “The Jellicle Ball”
Jamie Lloyd, Sunset Blvd.
Jerry Mitchell, BOOP! The Musical
Alex Timbers, Just in Time
George C. Wolfe, Gypsy
Outstanding Choreography
Camille A. Brown, Gypsy
Warren Carlyle, Pirates! The Penzance Musical
Jakob Karr, Ain’t Done Bad
Arturo Lyons and Omari Wiles, Cats: “The Jellicle Ball”
Jerry Mitchell, BOOP! The Musical
Sergio Trujillo, Real Women Have Curves
Outstanding Music
Will Aronson and Hue Park, Maybe Happy Ending
David Foster, BOOP! The Musical
Joy Huerta and Benjamin Velez, Real Women Have Curves
Zoe Sarnak, The Lonely Few
The Lazours, We Live in Cairo
Outstanding Lyrics
Gerard Alessandrini, Forbidden Broadway: Merrily We Stole a Song
Will Aronson and Hue Park, Maybe Happy Ending
David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts, Operation Mincemeat
Adam Gwon, All the World’s a Stage
Marla Mindelle and Philip Drennen, The Big Gay Jamboree
Luis Quintero, Medea: Re-Versed
Outstanding Book of a Musical
Will Aronson and Hue Park, Maybe Happy Ending
David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts, Operation Mincemeat
Warren Leight and Isaac Oliver, Just in Time
Bob Martin, BOOP! The Musical
Marla Mindelle and Jonathan Parks-Ramage, The Big Gay Jamboree
Marco Pennette, Death Becomes Her
Outstanding Orchestrations
Will Aronson, Maybe Happy Ending
Doug Besterman, BOOP! The Musical
Joseph Joubert and Daryl Waters, Pirates! The Penzance Musical
Andrew Resnick and Michael Thurber, Just in Time
Michael Starobin, All the World’s a Stage
Outstanding Scenic Design of a Play
Miriam Buether, Glass. Kill. What If If Only. Imp.
Miriam Buether, and Jamie Harrison and Chris Fisher (illusions and visual effects), Stranger Things: The First Shadow
Rob Howell, The Hills of California
Johan Kølkjær, Dark Noon
Grace Laubacher, Life and Trust
Matt Saunders, Walden
Outstanding Scenic Design of a Musical
Clifton Chadick, Music City
Rachel Hauck, Swept Away
Dane Laffrey and George Reeve, Maybe Happy Ending (includes video design)
Derek McLane, Just in Time
David Rockwell and Finn Ross (projections), BOOP! The Musical
Outstanding Costume Design of a Play
Brenda Abbandandolo, The Antiquities
Dede Ayite, Our Town
Christopher Ford, The Beastiary
Camilla Lind, Dark Noon
Karl Ruckdeschel, Twelfth Night
Outstanding Costume Design of a Musical
Gregg Barnes, BOOP! The Musical
Sarah Cubbage, The Big Gay Jamboree
Toni-Leslie James, Gypsy
Qween Jean, Cats: “The Jellicle Ball”
Paul Tazewell, Death Becomes Her
Catherine Zuber, Just in Time
Outstanding Lighting Design of a Play
Isabella Byrd, Glass. Kill. What If If Only. Imp.
Jon Clark, Stranger Things: The First Shadow
Natasha Katz, John Proctor is the Villain
Tyler Micoleau, The Antiquities
Paul Whitaker, SUMO
Outstanding Lighting Design of a Musical
Kevin Adams, Swept Away
Adam Honoré, Cats: “The Jellicle Ball”
Jack Knowles, Sunset Blvd.
Philip S. Rosenberg, BOOP! The Musical
Scott Zielinski and Ruey-Horng Sun (projections), Floyd Collins
Outstanding Sound Design of a Play
Paul Arditti, Stranger Things: The First Shadow
Johnny Gasper, Two Sisters Find a Box of Lesbian Erotica in the Woods
Matt Otto, All of Me
Bray Poor, Glass. Kill. What If If Only. Imp.
Clemence Williams, The Picture of Dorian Gray
Fan Zhang, Good Bones
Outstanding Sound Design of a Musical
Adam Fisher, Sunset Blvd.
Peter Hylenski, Just in Time
Scott Lehrer, Gypsy
Mick Potter, Stephen Sondheim’s Old Friends
Dan Moses Schreier, Floyd Collins
Outstanding Projection and Video Design
Nathan Amzi and Joe Ransom, Sunset Blvd.
Jake Barton, McNeal
David Bergman, The Picture of Dorian Gray
Jesse Garrison, The 7th Voyage of Egon Tichy [redux]
Hana S. Kim, Redwood
Outstanding Wig and Hair
Alberto “Albee” Alvarado, SUMO
Charles LaPointe, Death Becomes Her
Sabana Majeed, BOOP! The Musical
Nikiya Mathis, Cats: “The Jellicle Ball”
Nikiya Mathis, Liberation
Outstanding Puppetry
Dorothy James, Bill’s 44th
Tom Lee, See What I Wanna See
Simple Mischief Studio, Small Acts of Daring Invention
Amanda Villalobos, Becoming Eve
Kirjan Waage, Dead as a Dodo
Outstanding Fight Choreography
Drew Leary, Romeo + Juliet
Chelsea Pace and James Yaegashi, SUMO
Rick Sordelet and Christian Kelly-Sordelet, Pirates! The Penzance Musical
Bret Yount, King Lear
Outstanding Adaptation
Becoming Eve, by Emil Weinstein
Cymbeline, by Andrea Thome
Medea: Re-Versed, by Luis Quintero
Pirates! The Penzance Musical, by Rupert Holmes
The Devil’s Disciple, by David Staller
Outstanding Revue
Forbidden Broadway: Merrily We Stole a Song
Mama, I’m a Big Girl Now!
The Jonathan Larson Project
The World According to Micki Grant
Unique Theatrical Experience
Odd Man Out
The 7th Voyage of Egon Tichy [redux]
The Picture of Dorian Gray
The Voices in Your Head
The Wind and the Rain: A story about Sunny’s Bar
Broadway Legend Joined: 3/27/19
Simard and not Hilty again. Hmm.
Nice that Córdoba got in. Sad that Machado did not.
Broadway Star Joined: 10/14/21
A Margherita nom but not a Woods nom feels right.
How is Snook eligible for Lead when that's a solo performance? Scott does the same thing she's doing and he got nominated in the right category.
Swing Joined: 3/19/23
Broadway Star Joined: 4/3/17
FLarnhill said: "How is Snook eligible for Lead when that's a solo performance? Scott does the same thing she's doing and he got nominated in the right category."
Maybe they count the camera operators as other actors?
Broadway Star Joined: 10/6/18
Smash shut out save for Brooks, Mincemeat shut out of Best Musical. Surprised RWHC didn't receive more love here (also, I don't think I have ever heard of Music City).
Interesting that Sarah Snook wasn't put into the solo performance category.
I don't really understand their logic of separating music and lyrics into separate categories, but it's notable that MHE is the only show to be nominated for both and book.
Glad to see a lot of noms for Jellicle Ball, even if it does seem like Andre de Shields has become the de facto representative of the entire ensemble for awards this season.
Broadway Legend Joined: 4/22/04
Sometimes, jukebox musicals are not exactly favorites or critics' darlings at awards nominations, so I'm happily surprised to see ''Just in Time'' score 9 Drama Desk noms:
* Outstanding Musical
* Outstanding Lead Performer in a Musical: Jonathan Groff
* Outstanding Featured Performer in a Musical: Gracie Lawrence
* Outstanding Direction of a Musical: Alex Timbers
* Outstanding Book of a Musical: Warren Leight & Isaac Oliver
Plus, Scenic Design, Costumes, Sound and Orchestrations
(Also, ''Just in Time'' ties with ''Maybe Happy Ending'' with 9 Drama Desk nominations)
Broadway Legend Joined: 4/1/08
It looks like the big three cash-grabbers, Othello, Good Night and Good Luck and Glengarry Glen Ross, received zero nominations.
With fewer options for Tony nominators this will probably not be the case tomorrow, but it probably does reflect the NY theatre community's feelings towards outrageously priced star-driven productions.
Stand-by Joined: 5/11/06
The Other One said: "It looks like the big three cash-grabbers, Othello, Good Night and Good Luck and Glengarry Glen Ross, received zero nominations.
With fewer options for Tony nominatorsthis will probably not be the case tomorrow, but it probably does reflect the NY theatre community's feelings towards outrageously priced star-driven productions."
An outrageously priced star-driven production can still be good. I saw Othello. It was not good. Nothing to do with the fact that they are stars. Haven't seen the other two, so can't comment, but I've read the reviews.
I think producers are probably seeing the receipts from the three star-driven vehicles and planning more of the same.
Broadway Legend Joined: 4/22/04
''It looks like the big three cash-grabbers, Othello, Good Night and Good Luck and Glengarry Glen Ross, received zero nominations.''
I imagine their producers are crying all the way to bank.
''With fewer options for Tony nominators, this will probably not be the case tomorrow, but it probably does reflect the NY theatre community's feelings towards outrageously priced star-driven productions."
Audiences are part of the NY theater community, too, and they're already voted ... at the box office. If it's a celebrity they want to see, audiences will pony up the big bucks.
This makes me so happy for Boop! I will continue to sing the praises of that inventive, sparkly, happy show that we need right now in the world. Giving me some more hope for it getting some Tony noms tomorrow. It needs a killer Tony performance so badly.
Thrilled for all of the Jellicle Ball noms too - I would've thought Paul Tazewell had any and all costume awards totally sewn up (haha) this year, but that will rightfully give DBH a run for its money.
And I'm excited for Jennifer Simard. She commits so hard to everything she does (so brilliantly and hilariously) and I love seeing her get recognized for that!
Broadway Legend Joined: 4/1/08
jakethesnake said: "The Other One said: "It looks like the big three cash-grabbers, Othello, Good Night and Good Luck and Glengarry Glen Ross, received zero nominations.
With fewer options for Tony nominatorsthis will probably not be the case tomorrow, but it probably does reflect the NY theatre community's feelings towards outrageously priced star-driven productions."
An outrageously priced star-driven production can still be good. I saw Othello. It was not good. Nothing to do with the fact that they are stars. Haven't seen the other two, so can't comment, but I've read the reviews."
Of the three, I've only seen Glengarry Glen Ross. It's actually very good.
Obviously not the same voting body but this does make me wonder how vulnerable Mincemeat is for tomorrow
Broadway Legend Joined: 8/26/19
InTheBathroom1 said: "11 Boop noms is WILD"
Agreed. It's the new musical with the worst book imo. I was prepared to be lightly entertained but the uber clichéd, pandering script ruined it for me. How is this on the list of best musicals is a mystery. Jasmin is fantastic and works her but off, but she's nowhere near Nicole's and Audra's levels. These 2 are monumental talents.
The Other One said: "It looks like the big three cash-grabbers, Othello, Good Night and Good Luck and Glengarry Glen Ross, received zero nominations.
With fewer options for Tony nominatorsthis will probably not be the case tomorrow, but it probably does reflect the NY theatre community's feelings towards outrageously priced star-driven productions."
Or maybe Brian Cox nominated this year's ceremony.
Stand-by Joined: 1/22/14
As much as I am loving the love for Simard … DBH is such a two hander. I would hate if Megan is left out tomorrow.
Understudy Joined: 10/14/22
gibsons2 said: "InTheBathroom1 said: "11 Boop noms is WILD"
Agreed. It's the new musical with the worst book imo. I was prepared to be lightly entertained but the uber clichéd, pandering script ruined it for me. How is this on the list of best musicals is a mystery. Jasmin is fantastic and works her but off, but she's nowhere near Nicole's and Audra's levels. These 2 are monumental talents."
Disagree. Awesome musical with great new music, beautiful costumes, great choreo and Jasmine AND the entire cast are phenomenal. Jasmine deserves the Tony IMO.
starlightlocamotion said: "As much as I am loving the love for Simard … DBH issuch a two hander. I would hate if Megan is left out tomorrow."
I strongly believe Hilty will be nominated tomorrow for a TONY along with Simard!
Adam Feldman put out his predictions, and I honestly forgot Mincemeat was even in the running.
I know it’s apple and oranges; it’s interesting Stranger Things wasn’t nominated for best play, but Boop scored a best musical nomination.
Broadway Star Joined: 1/24/16
Interesting that of the three Gypsy women, Lesli Margherita is the one that got in here. Featured Actress feels like a really weak category so I still think Joy will get in based on the strength of the role but I’m much more uncertain now.
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