A very polished recording. I like most of the reorchestrations, apart from missing the sax solo in "Buenos Aries" and disliking the tango-like orchestration for "I'd Be Surprisingly Good For You" (I assume the goal is to strengten the connection between Eva's use of Magaldi and Peron, but I think that connection is already established by the opening of the scene).
But. There's no drama here. They are singing beautifully, but they aren't acting. And when we would expect some--Eva's speech after "Don't Cry for Me, Argentina"--it's embarassingly bad (intentionally?). It's also weird that Zegler sounds younger than the actress who plays Peron's underaged mistress.
So, a mixed response from me. I'm guessing if I'd seen the production, these choices would strike me as much more effective, or at least I'd understand them better and could put them in context. But I didn't, so--pleasing, but not dramatically exciting.
Updated On: 8/30/26 at 08:13 PM