FALSETTOS Previews — Page 2

Is anyone having an issue buying Linc Tix? I keep enterting my ID number and my password and it says it's incorrect (it's not). Would calling Ticketmaster or Lincoln Center help?

WhizzerMarvin said: "Mildred Plotka said: "Hope it's a good cry Whizzer. Enjoy!



Ha, yes. I hope I'm crying because of "What Would I Do?" and not because it's so bad...

If not I've got some rope right here, and Whizzer will be hanging from a chandelier!



"

It's not anywhere near bad. It is wonderful. And it is thrilling that Lapine did not just do a cookie cutter staging of his original production. There are some truly unique concepts at work here, especially with the set.

I have a feeling the set the set will be a divisive topic on here, but I loved it.

And yes, bring mountains and mountains of tissue.

Hairspray0901 said: "Can anyone report on the side orchestra seats LincTix offered? How is the view?



"

Well the first performance starts in about 29 minutes so i'm assuming we won't know until that happens

^ Ugh...Wasn't expecting that...

theatregoer3 said: "I'm sad to say this was embarrassingly bad. My guest and I left at intermission. It was unsalvagable from the start. Awful direction, staging and design. The lighting was atrocious and the set was a mess that the actors could not make sense of. The cast looked nervous, distracted, uninterested and unengaged. I felt bad for everyone. Ms. Block was the only one who seemed to be trying or who at least had confidence in the material. Speaking of material, we have new lyrics and they're unnecessary. It was just so bad and made me very sad and disappointed.

Omg. Did you know the show going in or are you a newbie? I'm actually really shocked by this reaction.

Woah--not what I was expecting for the first user review...

I knew the show. I actually think I know most of the lyrics by heart. LincTix seats were great though! I could go on for days about what was wrong with this production. At the top of intermission the creative team all went past us for a meeting. They all had dour looks on their faces. I can see this getting better - much better - but I can't see this ever becoming a great (or even good) production.

It was a three sided wall outlining the city. This allowed for minimal places to enter and exit so it was awkward whenever that would happen. Then there was a massive cube made up of various foam pieces that could become furniture, etc. the cast had to keep stacking them and rearranging them. They looked really amateurish and didn't serve any great symbolic purpose. They seemed to get in the way as there were SO many of them so the cast always had so many to move/adjust.



At the top of the show the four men came out dressed as ancient Hebrews with wigs and beards and it was messy. They barely know the (very simplistic) choreo. The falsettos sequence was done with black light and was so awkward.



My ultimate conclusion is two fold: 1. The cast didn't trust or understand the material. 2. They needed a new director who could freshly interpret the material. James Lapine was a poor choice and I can't see why he wanted to do this production. It all seemed so unmotivated. Like why do it at all?



If I had a say in this I would tell them to cut the choreo, cut the cubes, simplify the lighting, keep the cast on stage and just have everyone focus on the performances and living up to the material. Everything else is just getting in the way and it's painfully obvious how unnecessary it is. The music, lyrics and story are enough to sustain a crowd for hours with a bare stage.

I'm curious to hear from other people on these boards if they agree with theatregoer3.

I enjoyed it. Yes, some of the cast members are finding their footing. The direction involves the performers constantly moving, building, dismantling, and rebuilding the set pieces - so once they get in a groove, it'll all move much smoother. I'm anxious to revisit it later in the run.

Stephanie stopped the show with "I'm Breaking Down." I hope she is remembered during Tony time. Brandon is exceptional too. Funny, warm, and perfectly menschy.

It wasn't without its flaws, but it's thrilling to see this show back on Broadway again. It's a special piece. Certainly the best thing to come along so far this season, in my opinion.

Updated On: 9/30/16 at 11:33 PM

How is the orchestra? Is it largely synth or more of a band like the original off broadway production of March of the Falsettos?

Falsettos is my second favorite show of all time and I've been wanting a revival for over a decade and I was worried that I was hyping it up for myself before I even saw it. I was there tonight and it was better than anything I could have ever asked for in a revival. Stephanie J. Block earned the most applause after "I'm Breaking Down," and just as you'd expect, "What Would I Do?" had every person in the house sobbing. Brandon Uranowitz was the standout. He's a perfect Mendel. The set and lighting is stunning. Everything is just fantastic. James Lapine hit it out of the park. In any other show I would say it needs tightening up but Bill Finn shows are so "messy" to the point that it can't be anything but.