Featured Actor Joined: 3/23/07
I've noticed in many review type posts on these boards criticisms are particularly harsh on the "book" from current musicals. I'm curious about what others think are the best "books" (librettos) of musical shows (broadway, off-broadway or beyond)? And what constitutes a great book? Who historically do you consider the best "book" writer? I've been writing a book for a musical, which has been both a total pleasure and incredibly difficult!! (:
My own favorite book is James Goldman's "Follies" - I've read many criticisms of this particular book but I feel that it does it's job perfectly, letting us know who the characters are and serving as connective tissue to the brilliant songs. "Urinetown" has an exceptional book. "Jersey Boys" served it's story very well.
I'm one who enjoys the old books, too, and don't believe they need to be "updated" or made "politically correct". I esp. love the book of "DuBarry Was a Lady" - I've never understood how it is that we can love old movies, and not demand they change their dialogue, but can't seem to wrap our minds around loving old books of musicals (they are always criticized as "outdated", blah blah blah)
Sunday In The Park with George & Grey Gardens.
Understudy Joined: 4/22/06
I love love love Company's book infinitely more than the music.
Broadway Legend Joined: 3/20/04
Understudy Joined: 12/28/07
GYPSY (probably my favorite)
FOLLIES
SUNDAY IN THE PARK WITH GEORGE
A CHORUS LINE
CAROLINE, OR CHANGE
PASSION
THE KING & I
CURTAINS
GREY GARDENS
Assassins.
Hands down.
Such a strong book, with clear, distinct, and hilarious characters.
The Sara Jane Moore-Squeaky Fromme scene is one of the funniest things to ever grace the stage in a Sondheim musical.
Plus, it really makes you think. It does a great job of presenting alternate viewpoints.
Other good books are three winners of the Tony for Best Book, they're all very good: Spelling Bee, Drowsy Chaperone, Producers
Into the Woods. Act II can make or break the show.
Broadway Star Joined: 10/25/06
Into the Woods? Really? I've always seen a huge problem in the fact that the show seems to be (or at least in part) about the consequences of your actions, and yet the "happy" ending happens when they decide to kill the giantess. So she comes down because they killed her husband and the answer is to kill her in turn? Bad plotting, I say.
Gypsy. It's perfect. So is Little Shop of Horrors.
Broadway Legend Joined: 11/20/06
Broadway Legend Joined: 2/17/06
COMPANY
THE FANTASTICKS
LITTLE SHOP OF HORRORS
ASSASSINS
OF THEE I SING
DAMN YANKEES
CURTAINS
A CHORUS LINE
SUNDAY IN THE PARK WITH GEORGE
FALSETTOS
But no one even brought up 1776! One of the best books of ANY musical, bar none!
Broadway Legend Joined: 2/17/06
bump
Broadway Legend Joined: 1/19/08
Broadway Legend Joined: 10/4/05
I love love love Company's book infinitely more than the music.
Same :)
and I love the book for Bare as well. I think it's incredibly well written, with very well developed characters.
Stand-by Joined: 9/4/07
GYPSY. No question. Perfection.
Gypsy and Sunday in the Park with George.
Broadway Star Joined: 12/16/06
1776, How To Succeed..., Guys and Dolls, and almost all R&H musicals.
Broadway Legend Joined: 10/19/06
Sondhead-
Really? It's about continuing the cycle in fairy tales.
Although it's flawed, I really like Anyone Can Whistle's book. 1776 is another very strong one.
ReNt
WicKid
Oh, sorry, you said favorite, nevermind.
Broadway Star Joined: 2/6/08
Another vote for 1776. Most Peter Stone books are pretty strong in my opinion
Featured Actor Joined: 5/21/07
1776
Gypsy
A Funny Thing Happened on the Way to the Forum
My Fair Lady
The Music Man
Fiorello
A Chorus Line
South Pacific
City of Angels
Grand Hotel
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