I know it wasn't VintageSnarker as a Law Enforcement Officer. While I am not permitted to say how you can identify one, trust me this one was not. I do feel it is a good deterrent though if people believe there is a bomb sniffing dog.
Absolutely, Fiddler is predictable and comfortable. As for comfortable, you're meant to feel good about how much this family loves each other; it's a show about family, community and love. As for predictable, the whole show is a pattern: A man claims devotion to his religious faith and traditions, then proceeds to break them not once, not twice, but three times in the same way (daughter wants to marry non-traditionally, father says never, daughter begs in a song, father says ok). Then they are chased out of their homes for being Jewish at the very end of the show. No one saw that ending coming based on the threatening police officers and youth?
I have a front mezzanine ticket (seat C102) for Friday, February 19 that I now cannot use because of a work commitment that evening. Rather than start a new thread, I thought I would just post the opportunity here.
$50 and it is yours. PDF ticket. You can pay via PayPal. PM me if interested.
After seeing the production photos, I must say: I LOVE the set! Yes, it is minimal but very effective. Those photos have made me want to see the show now. well to see the set and Danny, who I have a secret crush on.
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
"I know it wasn't VintageSnarker as a Law Enforcement Officer. While I am not permitted to say how you can identify one, trust me this one was not. I do feel it is a good deterrent though if people believe there is a bomb sniffing dog."
Thanks for the response. I'll take your word for it. I was just curious about how you would have known if you didn't have a background in law enforcement. One of my more fanciful ideas was that they might have borrowed a Sandy from a production of Annie.
SNAFU said: "After seeing the production photos, I must say: I LOVE the set! Yes, it is minimal but very effective. Those photos have made me want to see the show now. well to see the set and Danny, who I have a secret crush on."
I agree, it's stunning in it's simplicity and Michael Yeargan has done a good job with it as he did with the stunning sets in The King and I. I can't wait to see it on January 8th along with another viewing of The King and I.
BTW: This picture of the wall opening up during the ending here is once again the similar concept to what Bartlett Sher and Michael Yeargan did with The King and I where traditions are broken down and the white light somewhat represents the uncertainty of the future.
indytallguy said: "I have a front mezzanine ticket (seat C102) for Friday, February 19 that I now cannot use because of a work commitment that evening. Rather than start a new thread, I thought I would just post the opportunity here.
$50 and it is yours. PDF ticket. You can pay via PayPal. PM me if interested."
You can usually exchange it for a different date without much hassle if you call Telecharge.
The image of the wall opening up is visually stunning. It does remind me a lot of the previous revivals design. There were walls opening up in the same fashion. I think this revival would have done better utilizing Tom Pye's set design. Here is the link to his designs. http://www.tompye.com/tompye/fiddler_on_the_roof.html#grid
DancinMan said: "The image of the wall opening up is visually stunning. It does remind me a lot of the previous revivals design. There were walls opening up in the same fashion. I think this revival would have done better utilizing Tom Pye's set design. Here is the link to his designs." http://www.tompye.com/tompye/fiddler_on_the_roof.html#grid
Tom Pye's set for Fiddler back in 2004 was a bit too simplistic and dull. Michael Yeargan's set designs are better thought out and more consistent to me.
I don't disagree with your comment above. I just wish the concept would have been more thought out/fully executed. Yeargan's design remind me of this regional production in Chicago designed by Kevin Depinet. I would love to see what he could do with a Broadway budget. Broadway too often recycles the same artists when there are much better ones waiting in the wings.
Dame, not so much. After hearing over and over how cartoony the floating houses were, to see them in a photo and knowing the inspiration, I happen to be impressed with the design. As I said, it is the photos that have piqued my interest in seeing the show.
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
SNAFU said: "Dame, not so much. After hearing over and over how cartoony the floating houses were, to see them in a photo and knowing the inspiration, I happen to be impressed with the design. As I said, it is the photos that have piqued my interest in seeing the show."
Cool. Weird.. but cool. But I have seen the show. And I am a champion for the show. But the set is ugly and doesn't serve the productions elements well. Glad you enjoyed the pictures.
As another poster who was disappointed in Yeargen's sets this time around, I gotta say I'm really impressed with the sets designed by Kevin Depinet in DancinMan's post a couple of entries above. That final shot of the village shows how evocative the floating house idea can be with the right execution. Well done. Wish this had been the production I saw at the Broadway.