The Boston Globe review made what I think is a good point at the end of the review:
"But this is a fun and touching show, gorgeous to look at and listen to, and the 2½ hours mostly fly by. How you feel about “Finding Neverland” will depend on whether you believe that’s enough."
Isn't that how it is with whatever we watch, whether it is big screen or small or live theater. The globe also mentions thunderous applause after one of the duets. Mixed reviews but there are sure to be changes coming before Broadway opening in March.
Indeed! I LOVED Spring Awakening, even though I could point at many, many of its flaws.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Jered Bowen: "I don't have enough thumbs to raise for the new Finding Neverland." I think that is pretty glowing and I have heard from someone who has seen it at least five times, it is well worth the trip to Boston. Hey, then when it win the Tony for best new Musical you can say "I saw it when..."
That NYT review is pretty nasty. I heartily disagree with it. I disagree, for starters, that this is a "children’s musical." I've seen it three times so far, and I find the show to be asking more questions than it answers -- questions about how to define tricky things like childhood, innocence, happiness. It confronts mortality in ways that speak to me (I'm 45); it shows that these topics have layers and depth. The quotes that the NYT pulled are accurate, but proportionally, the show includes many more lines & lyrics that connote ambivalence and complexity.
I also disagree that Jordan plays Barrie as if "his sensibility is that of a fun-loving child." Jordan's Barrie has stunted emotional growth, and pain in layers, and tons of awkwwardness. He's far more awkward than free, and it's bang on. It works.
Is the show frozen at ART - most likely yes. If they were planning for a quicker transfer, they could try rehearsing the show more on the LORT contract they are on - but there are severe limitations to how much they could work.
That Brantley review was very odd. Most of it felt more like a review of Mr. Weinstein than the show. Then, toward the end, he starts talking quite positively about the show, but then immediately turns around and ends it on a note where he, essentially, calls the show a flop. Truthfully, it sounds like he wanted to get more of a dig in at Weinstein than anything else.
That Brantley column - because it's not much of a review - takes up half its space before it even gets to the show. He even highlights Weinstein saying it's a work in progress that shouldn't be reviewed. Then Brantley starts in on the show itself. rantley also seems overly concerned with Barrie's sexuality implying the show is a whitewash - in effect reviewing the show he thinks this should be, rather than the show that it is.
Why would Weinstein not allow the NYTimes to legitimately review, but allow Variety and local papers? Is it only a work-in-progress for certain people?
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Saw it last night and found it enchanting! The score is memorable and the set and effects are well done. It still has some weak/rough moments and some of the choreography is incongruous, but every single character on stage rings true. While I'm sure children of a certain age will enjoy it, it's not really a "children's musical" as it has been characterized elsewhere. However,I was disappointed that the rumored dancing bumblebees were nowhere in sight!
Saw it last night and found it enchanting! The score is memorable and the set and effects are well done. It still has some weak/rough moments and some of the choreography is incongruous, but every single character on stage rings true. While I'm sure children of a certain age will enjoy it, it's not really a "children's musical" as it has been characterized elsewhere. However,I was disappointed that the rumored dancing bumblebees were nowhere in sight!
GilmoreGirl02, I agree with you, it did sound more like a personal attack on Weinstein. Just curious, has Brantley ever been crazy about a show? If so, what was it, I am curious to know. Finding Neverland has appeal for everyone. Lost love, unrequited love, loss of a parent, make believe, personally I think people of all ages will like it, young and old alike.
ggersten, i agree with you. Brantley seems to be reviewing the show he thinks this should be. I'm a professional reviewer myself (not of theater!) and we're not supposed to review the piece we wanted it to be. We need to review the piece that it *is.* Otherwise it undermines the whole point of the review, the review process, and the piece of art.
This is an out-of-town tryout. Of course they'll use the next seven months to tweak the show based on what they've learned in Boston. As for Brantley, he clearly isn't out to sink the ship but nor is he going to give them a "we have the Times in our pocket" sense of security.
Re that Brantley review--sure teenagers have helped make Wicked the huge hit it is--there's no denying. But pre-adolescent *kids*? Are 9 year olds dragging their parents the ones helping it run a decade?
EricMontreal22 you're right, Brantley's conflating kids with teens. This is relevant to Matilda too: plenty of kids love Matilda, but TONS of adults -- and teens -- are seeing it for themselves, without kids.