Agreed. I think "I'm Outta Here," and the (talented) actor's performance in general, are the most predictable and uninteresting things in the show. To me, ironically, what some consider the strongest element is instead, if not the weakest, the least compelling. Certainly the least fresh. Oh how we do love to love a big lovable black lady with a criminal record and a heart of gold. But isn't that easy? For us, and the story?
SPOILER
The last scene, when she serves the plot in an emotional way by allowing Sam to 'use' her body, is a moment (to me) when Oda Mae becomes a dimensional human being. If we saw the stakes in that for her earlier -- that this woman has missed so much in her scrambling to survive, including love, and is on her own quest -- the character's arc would be more moving. I wish she'd been given a very different song near the end. She gets the song the creators think the audience wants (and maybe expects) but not, for me, the song that would deepen this woman. This is a love story, what about love in her life? She's left the Magical Negro, an archetype on hand to serve the white characters' needs. What about her needs? Money and a lazy life on an island? Exploring hers outside of the plot machinery might give the ending even more resonance. Small point, but one that might've made the show more. Hey, they didn't ask me. (And I'm still the first to admit the show was exciting and mostly worked for me; I'm rooting for it.)
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 4/23/12 at 10:48 PM