britspin said: "I'm going to be buying tickets shortly - I'm trying to decide between TK 1 & 2, or TT 1 & 2. Alternately, there are also banquette seats BE 22 & 24. In the rear mezzanine, there are seats in rows E and C, and aisle seats all around.
My feeling is that, if I'm going to spend $180 on a ticket I'd prefer to sit onstage than in the house. I wasn't interested in sitting rear mezz, but after reading the posts in this thread I'm less resistant to it (especially given that they're half the price of all other tickets in the house. That in addition to the good view is nice!). HOWEVER, I'm 5'2", so I'm a little concerned about visibility.
I'm interested in finding the seats with the most "interaction" possible. The more likely I am to make eyes with the performers, the better. It doesn't necessarily matter which performers.
Can anyone offer advice or opinions on these options?
Also: somewhat off-topic, I have a range of nights that I may be able to see the show. Denee Benton will be on vacation for several of those nights. Does anyone know how her understudy is? I'm not sure whether to purchase tickets based on when I can get the seats I like the most, or based on when Denee will be in the role."
I just saw the show this past weekend from BF 20 and 22, and I definitely felt like the seats were quite immersive and interactive. Brittain Ashford (Sonya) plopped herself right next to us before the show and was talking to the upper rows. I think she stands around there too when the show starts. When the second act starts, Josh Groban came out and descended on our side, waving to our section. A lot of the ensemble is also stationed there during various parts of the show, giving lots of opportunity for eye contact.
The negatives, for me, were that I felt like I saw more of the actors' backs and sides as opposed to when I saw the show from center orchestra row J, but being a row down from where I was, you may be able to turn around to look at them as opposed to the side view I had. Groban had his back to us while playing the piano. I'm 5'3" and did have to switch places with my husband because the man in front of me was mostly blocking my view of Groban's back.
My sister is going this week in the dead last seats, rear mezz. Personally, if I had to choose between my banquette seats and my orchestra seats, I'd choose the banquettes.