HARMONY Reviews

This was a big EH for me last night. The show just drags on….the songs are not that great. The men are amazing and work their butts off. Chip is an icon, his second act closing monologue had the audience in tears. This needs to be tighten more with a new director. I don’t see this on Broadway anytime soon.

What are the stand out song and character? Is the song "Harmony" that goes on for the first 15 mins of the show?

Chip Zien was great but he plays like 7 different characters. I've never understood the appeal of Sierra Boggess...and still don't.

I agree this needs a lot of work and don't see it doing well on Broadway.

I really enjoyed and found the story itself super interesting. The characters can feel a bit one dimensional, although everyone on that stage is excellent in their roles and bring a lot of personality, but I didn't mind as it felt very classic musical theater and the story was so interesting. I felt there were mostly catchy songs with three real stand outs and two real stand out production numbers. Chip's act two, all around, is incredible. I actually think this would benefit from a larger production. It felt like it wanted to be a bit bigger to me. I know they're considering this a developmental run and with some minor cuts and reworkings I think it could be excellent. Everyone around me seemed very moved and to really enjoy it.

What are the stand out song and character? Is the song "Harmony" that goes on for the first 15 mins of the show?

Yes, Harmony is the first number and it's not great. "Every Single Day" was the stand out song and Sean Bell was the stand out actor for me.

Now Barry has COVID and can't attend the opening!

He was walking around last night maskless and shaking everyone’s hand. They had a gala for him everyone was maskless. Crazy

Nice positive review from Theatermania:



https://www.theatermania.com/off-broadway/reviews/manilow-harmony-national-yiddish-theatre_93646.html

MemorableUserName said: "Critics Pick from Vincentelli in NYT:
https://www.nytimes.com/2022/04/13/theater/harmony-review.html"

The Times desperately needs a second full-time co-chief theatre critic.

Freelancers and "at large" critics with transient careers are going to drive producers/investors crazy, since the producers are still in the mindset that they can trust reviews to aide their decision in moving a show to Broadway.

If this had a positive or negative review from a chief critic, it would dictate Ken Davenport's next steps. Now he's in this weird limbo zone because you have no idea what kind of review you'll get when it actually moves to Broadway –– and yes, reviews still matter to an extent.

NY Post is mostly positive; three stars:

‘Harmony’ review: Barry Manilow’s musical has flaws, but stellar singing

https://nypost.com/2022/04/13/harmony-review-barry-manilows-musical-has-flaws-but-stellar-singing/

I'd imagine between Barry and Warren they can get the capital to get this to Broadway... where it will flop. But hey, it's not my money.

ErmengardeStopSniveling said: "Freelancers and "at large" critics with transient careers are going to drive producers/investors crazy, since the producers are still in the mindset that they can trust reviews to aide their decision in moving a show to Broadway.

If this had a positive or negative review from a chief critic, it would dictate Ken Davenport's next steps. Now he's in this weird limbo zone because you have no idea what kind of review you'll get when it actually moves to Broadway –– and yes, reviews still matter to an extent."

Elizabeth Vincentelli has been reviewing for the Times for years. Co-chief critic means nothing to the reviews themselves. The lone chief critic there now often takes pleasure in writing incoherent, catty drivel, so unless your point is they need another to balance that out, not sure what you’re getting at.


And I assure you that used car salesman Ken Davenport of all people is not phased by critical reception to work he produces. Let’s not forget he is the mind behinds Gettin’ The Band Back Together. People don’t move a show to Broadway on whether or not they can bank on a good review, they move it to Broadway to make money. Reviews help, but no producer is banking on a rave from the Times being the sole reason they move a show.

RippedMan said: "I'd imagine between Barry and Warren they can get the capital to get this to Broadway... where it will flop. But hey, it's not my money."

Well they're not the ones producing, and I certainly hope they wouldn't put a cent of their own money into the show. This is in Ken Davenport's hands now.