Mr. Williams is my favorite playwright of all time. The delicacy and lyrical genius of his prose, as well as his deeply rich and vibrant characters made him a wonderfully singular voice. But the fact that he was able to deal with taboo subject matter - homosexuality, feminism, ect. and acts of horrific violence (castration, cannibalism) without shattering the poetic world he created is a testament to his greatness. Anyone who can write A Streetcar Named Desire, The Glass Menagerie, Cat On a Hot Tin Roof, Sweet Bird of Youth, Suddenly Last Summer, Summer and Smoke, The Rose Tattoo, and The Night of the Iguana (to name only a few!) can not go unnoticed as one of the great playwrights of any generation. And even his later work, as controversial as it may be, show that his plays were not driven for praise, but for his own deeper exploration of the genre. He never gave up, even with 20 years of flops. My love for his work continues to grow, and I cannot wait until his lesser-known shows return to Broadway and astound theatre goers all over again.
"Sticks and stones, sister. Here, have a Valium." - Patti LuPone, a Memoir