Jerry Springer: the Opera at The New Group is starting an Audience Rewards pre-sale today. In 2004, this was the "it" show in London (winning the Olivier for Best Musical -- yes, really), but it had trouble transferring because it's so obscene... and never made it to Broadway. Rumors were that because there was no song appropriate enough to perform at the Tony Awards, investors didn't want to risk their money with nothing to show. There were also tons of protests from religious groups in the UK because of the content of the show. I've listened to a live recording a bit and it really is a totally absurd and wacko riot... I can't wait for this one. Especially being in a smaller space, it should really feel like you're more of a studio-audience than seeing something extravagant.
I saw the concert version at Carnegie Hall and really enjoyed it! David Badella was wonderful as was HArvey Keitel. I do wish the fabulous Alison Jiear could have done it here as Shawntel singing "I Just Want to Dance." Can't remember who did it here...
I really like the score and think the show manages to come around to say some interesting things.
But at the same time, I think it's getting its New York production a decade too late. Shows like Jerry Springer are no longer part of the pop cultural landscape, and what was shocking in 2002 is simply blasé in 2017.
(Though it's absurd the show was seen as "too controversial" to bring to New York, of all places)
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I saw it in London and really enjoyed it. Alison Jiear was heartbreaking. That's hard to do with the song she sings but she was wonderful and she really brought tears to your eyes. The second act of the show however dragged a bit. Speakeasy Stage in Boston did the show a number of years ago and while it was the same script it didn't seem to have the roughness/edginess that the UK production had.
I saw it in London in 2004. I had taken my son and 2 friends to London for their high school graduation (better to travel with mom than get drunk and drive at friends' graduation parties). I personally loved it, although the 2nd act did lose some of the fun of the first act. Not sure how it will travel in this day and age, just because Jerry Springer isn't the shock icon he was before.
San Francisco's Ray of Light Theatre produced it in 2010. I really enjoyed it. However, even with a more (MUCH more) expensive staging, it didn't feel like a "broadway" show.
What a piece of unprofessional garbage. It was mostly a bore with very few funny moments. And, even those few moments were juvenile. There was no insight or thoughtful reason for spending the time watching this piece of junk. How it was received as anything other than a waste of time, energy and resources is beyond me.
ARTc3 formerly ARTc. Actually been a poster since 2004. My name isn't Art. Drop the "3" and say the signature and you'll understand.
Anyone know if The New Group does any sort of 30 Under 30 or offer discount tickets eventually? I might have to just bite the cost on this one otherwise...
Rumors were that because there was no song appropriate enough to perform at the Tony Awards, investors didn't want to risk their money with nothing to show.
Never heard that rumor before. Sounds like total BS. There are numbers that could be performed at the Tonys (My Jerry Springer Moment is the most obvious). There might be some quick-edit censoring a bit here or there, but it could and probably would be done. The reason it didn't go to Broadway is the fact that the second act alone would probably deem the show unprofitable. I would never expect a commercial Broadway production to bring in enough open-minded audiences to even come close to recouping.
Personally, I think the show is genius. The composition and arrangements are incredibly intricate and complex. I think too many people get hung up on the obscenity without giving any thought as to the purpose and intent of the piece, which is accurate and insightful in its satire and allegory. In the last 14 years, we may have shifted our reality TV idolatry to the likes of unqualified celebrity trash like Real Housewives or Kardashians, but the core idea remains the same and the bastardization of Christianity is still thriving. And with the rise of Christian bigotry and anti-intellectualism, in politics, religion and television (Duck Dynasty is STILL a thing), the message of the show remains relevant.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
MarkBearSF said: "San Francisco's Ray of Light Theatre produced it in 2010. I really enjoyed it. However, even with a more (MUCH more) expensive staging, it didn't feel like a "broadway" show."
Will Swenson has been taking some interesting roles lately. From Rudetsky's DISASTER to Earl in Waitress and now this. Unrelated, but I keep forgetting he's Audra McDonald's husband!
Anyone know of any discount? I know they have a 35 and under subscription where you can see Jerry Springer and another one of their shows for $75 total, but I really just want to see Jerry Springer.
Mister Matt said: "I think too many people get hung up on the obscenity without giving any thought as to the purpose and intent of the piece, which is accurate and insightful in its satire and allegory. In the last 14 years, we may have shifted our reality TV idolatry to the likes of unqualified celebrity trash like Real Housewives or Kardashians, but the core idea remains the same and the bastardization of Christianity is still thriving. And with the rise of Christian bigotry and anti-intellectualism, in politics, religion and television (Duck Dynasty is STILLa thing), the message of the show remains relevant."
Agreed 100%. A friend of mine saw the Carnegie concert a few years back. His biggest criticism: Why is this being done in such an extravagant manner at Carnegie Hall? It's operatic, but it's still as big trash as the Jerry Springer show. It seems he missed the point entirely, considering that is the point.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
YES! Jill is the best. I've known her since elementary school, which is why I am cracking up about her being in this show. I hope it lives up to her amazing talent.
Can someone tell me why the New Group is obsessed with plays about white trash? That seems to be their niche. And they're lousy plays, too. That last thing they produced was one of the worst shows I've seen since their last play by Thomas Bradshaw (I think that's his name. I've tried to forget it.)
Saw it in London at the Cambridge theatre and absolutely hated it. It’s an interesting premise for an original musical, but it turned out to be a Stupid, pointless, boring mess of a show! Don’t waist your time and money on it.