Stand-by Joined: 3/12/14
……so anyway….

‘The most hurtful thing,’ said the former Broadway star, ‘was that people found out this one thing about me—and nothing else in my character or my work mattered anymore. And no one defended me.’
Keep that fabulous career you've established down South going, babe!
Broadway Legend Joined: 11/9/04
Her career was damaged because it became painfully clear that her values didn't align with the community because she supports repugnant racists, misogynists and anti-LGBTQ politicians.
cope and seethe, cupcakkke.
Laura Osnes looked at the state of the country of right now and really said, “Yes, now is the time to open old wounds, act like a martyr, and try for a comeback. Get Bari Weiss on the phone.”
Broadway Legend Joined: 9/11/16
I don't really find myself that sympathetic for Laura Osnes (especially when there are people we should be way more sympathetic for, i.e. Nick Cordero's family). However, I do feel kind of bad that the private professional matter of her dropping out of the show got plastered all over the front page of the New York Post, especially when the claims of drama with her castmates was untrue.
Vaccine mandates aren't required for anything anymore. If she had just denied the story and called it a "scheduling issue", she'd be back on Broadway today.
It’s very much a “woe is me/seeking redemption” piece, and I understand that this choice she made was the death knell for her career.
However, more pointedly, the theatre community lost SO many people during and due to the pandemic, including Nick Cordero, Mark Blum, Adam Schlesinger and Terrence McNally - and so the optics of it, personal choice or not, were that Laura did not care to get something that could protect her and her costars when many people didn’t even have a chance before it killed them. THAT’S what rankles me.
She pops up with the same story every two years. A beautiful performer but be gone already !!
Broadway Legend Joined: 1/21/20
BrodyFosse123 said: "‘The most hurtful thing,’ said the former Broadway star, ‘was that people found out this one thing about me—and nothing else in my character or my work mattered anymore. And no one defended me.’
Well, now we also know you're a petulant whiner with a victim complex, so good luck finding more work that way. Maybe you could do a movie for the Daily Wire.
Broadway Legend Joined: 9/27/21
get this Bari Weiss bs off the message board
Is it too late to move The 2026 Tony Awards off of CBS? I don’t want to see Bari Weiss handing Laura Osnes a lifetime achievement award.
Understudy Joined: 4/27/24
Beyond the self-aggrandizing victim mentality of her story, this is an interesting thought exercise. What roles would Osnes be playing if her career had not "ended." Would she be replacing Hilty in Death Becomes Her? Opening Romy & Michelle? Mother in Ragtime? Alternate for Norma Desmond or Jackie Siegel? Replacement for Mrs. Lovett? I doubt it.
She aged out of the ingenue role and arguably doesn't have the comedic or dramatic chops to be a leading lady. Revivals of the kind of golden-age R&H material she shines at are few and far between. I can't believe she has enough public appeal to open a show or enough charisma to excite investors/influencers. Her last Broadway show was years before the pandemic (and was a commercial and critical failure). Broadway is a business. If she could get the job done and sell tickets, she'd still be working.
Is there any way to read the full article without signing up or giving the site any money?
Stand-by Joined: 4/29/20
Why would her career be ended?
There could be work opening for Trump in Orlando at CPAC.
That’s the thing- her career hasn’t ended. It’s just no longer at the pinnacle of the industry. She has joined the ranks of the thousands of actors who live and work in smaller markets all over the country who will likely never set foot on a Broadway stage, or whose Broadway days are now behind them.
I’ve always thought she was a good but not necessarily singular or irreplaceable performer, something that her absence from the scene has only reinforced. She was, it turns out, pretty replaceable, which I imagine is a stinging realization to have.
Yeah, in the space between Bandstand and COVID, there were a number of roles she was in the running for that she didn’t book. The industry had already moved on from her before she became problematic in this way.
According to the article, she got married when she was only 21. She’s gotta be a conservative Christian. And for some reason, that demographic was generally pretty against the COVID vaccine.
The Distinctive Baritone said: "According to the article, she got married when she was only 21. She’s gotta be a conservative Christian. And for some reason, that demographic was generally pretty against the COVID vaccine."
I don’t think she ever hid the fact that’s she’s extremely religious. There were definitely rumblings that she was on the far right of the political spectrum before COVID, but she tended to keep her politics close to the chest back then. The mask came off — no pun intended — when she realized that her Broadway career was over.
It seems like a million years ago but wasn’t it also about putting Tony Yazbeck at risk of getting sick when he had a newborn baby at home?
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