That was my first summer in New York, and I lived blocks from the park. After I saw the production (a friend worked at the Public), I used to stroll over at night and listen to the second act. With the amplification, you could hear well, even on the other side of the Turtle Pond behind the Delacorte. I'd listen to the Ronstadt "Go Ye Heroes!" and especially "Sorry Her Lot," the interpolated G&S to give her a 2nd act ballad. It was the single most exquisite thing in her performance to my 20-something ear, in which she used the full Ronstadt talent -- the range -- to land a song with utter simplicity.
I thought her vocals were stellar for the piece, and her presence, the stiff characterization accepted as a part of the intended style of the staging, wonderful. Later Mabels were better actors (DeVito I saw on B'way), but Ronstadt's limitations were part of the appeal. If you listen to the recording, you certainly hear how charming she was. And she hit every note at every performance, no strain (that dogged her in Boheme later)
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 8/2/22 at 07:48 AM