ErmengardeStopSniveling said: "Another weird Playbill thing: Nobody is credited as keyboardist/pianist, despite there being a credit for Keyboard Programming and a very audible part. (We canassume it's the conductor or associate conductor, if not both, but it's standard practice to list that.)"
That is odd indeed. The conductor plays keyboard in the show, and I believe there’s only one keyboard in the orchestration. Weird that it’s not credited.
I think I am the only person I know of who just really did not care for this - I was not taken with it and did not find it charming as everyone else did. Not the first time I've been in the minority with my opinion on a show, but it's always interesting when I am. Glad so many others are enjoying this though, and I do wish them well!
"There’s nothing quite like the power and the passion of Broadway music. "
This is the funny thing about these reviews, I genuinely think they’re going to lose more money trying to keep alive than if they were to close tomorrow with poor notices. However, I always love the passion behind these kind of little shows so I wish them the best of luck :).
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
What is true is they know it's going to be a tough fight. Ticket sales picked up after those amazing reviews, but not enough.
Producers have vowed they are going to try very hard to keep the show going until Tony nominations - but that is going to cost a lot of money.
They are already looking into loans - believing, if they stay open long enough, they will win lots of awards and become a success.
I only with they had Disney or Universal deep pockets."
A show cannot survive on loans alone. Surprised the Shuberts would even let them consider the option knowing other shows are salivating and lining up for open theaters.
HeyMrMusic said: "ErmengardeStopSniveling said: "Another weird Playbill thing: Nobody is credited as keyboardist/pianist, despite there being a credit for Keyboard Programming and a very audible part. (We canassume it's the conductor or associate conductor, if not both, but it's standard practice to list that.)"
That is odd indeed. The conductor plays keyboard in the show, and I believe there’s only one keyboard in the orchestration. Weird that it’s not credited."
I wonder what 802's thoughts/reasons behind this are
GottaGetAGimmick420 said: "A show cannot survive on loans alone. Surprised the Shuberts would even let them consider the option knowing other shows are salivating and lining up for open theaters."
This biz is all about relationships, and Richards & Arnold have given Shubert a lottttt of shows over the years, which does mean something (but might not be meaningful enough to get them through to May).
The amount they’ll need for loans could also be higher than most deep-pocketed investors are willing to spend. Getting through to January 1st would be a more reasonable goal for now. We are 24 weeks away from the Tony nominations and the show might need another 3-6 million just to cover losses, in addition to supplemental ad spend.
On top of that, I doubt a cast album was part of the initial capitalization. That could be another 250-500K.
GottaGetAGimmick420 said: "HeyMrMusic said: "ErmengardeStopSniveling said: "Another weird Playbill thing: Nobody is credited as keyboardist/pianist, despite there being a credit for Keyboard Programming and a very audible part. (We canassume it's the conductor or associate conductor, if not both, but it's standard practice to list that.)"
That is odd indeed. The conductor plays keyboard in the show, and I believe there’s only one keyboard in the orchestration. Weird that it’s not credited."
I wonder what 802's thoughts/reasons behind this are"
Equally odd: the official author credit is just “By Will Aronson & Hue Park” but in their bio it spells out that Aronson wrote the music and they both collaborated on the book & lyrics.
That is odd too. (Aronson also wrote the orchestrations.)
802 doesn’t make the credits in the program, but it isn’t false that the people listed in the orchestra personnel are the conductor and associate conductor, it just doesn’t list them doubling on keyboard.
broadwaybabywannabe2 said: "Theatre_Mom said: "Saw this last night and what a gem of a musical. Such a sweet story with really solid acting and music.
I hope it was a good sign that the mezz was full because this show deserves a good run.
If i may ask how was the view from the Mezz?...i have 2nd row center Mezz. on the right isle...and i cannot wait to see this musical after reading all the reviews " My ticket was through TDF, far right in the mezz: D22. I don't feel I missed much, just part of the far right wall in his apartment. Didn't hinder my enjoyment of the show. You should have a great view.
The Schuberts are not known for keeping a well received show open with poor sales. We guess they have a tenant for the spring already signed with the way this has sold and poor advanced sales.
CoffeeBreak said: "The Schuberts are not known for keeping a good reviewed show open with poor sales. We guess they have a tenant for the spring already signed with the way this has sold and poor advanced sales."
You would be correct. It’s so bleak that said tenant has apparently been signed since before MHE even started loading in.
I can't believe the amount of comp seats that the producers are throwing out at friends -industry etc. We know so many people that have seen this recently and did not pay for tickets as they received COMPS and we could not go the night offered! Why did they release the discount code then? At this point, no way will this make it to the TONY noms as they are announced May 1 25. They may just hang in there until early Feb after Broadway 241 week (1/14-2/2/25) ends. Rave reviews but will an audience build for this - we shall see?
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
EDSOSLO858 said: "Hearing December 1 closing date."
If so, I guess they're giving up! Nothing is going to the Belasco then until spring anyway! Release a discount code for the last final weeks as nobody is going to pay full price and play out the rest of the year - 6 weeks left!
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
Jordan Catalano said: "I’d fear “Dead Outlaw” would suffer the same fate, in that theater."
Unfortunately, I agree. I saw Maybe Happy Ending again last night (a discount code was still working when I bought the tickets at the box office on Friday) and while sitting in the Belasco preshow the thought of Dead Outlaw opening and also quickly closing crossed my mind (and where is that cast album).
Regarding MHE, I brought my sister last night and told her that this is a lovely show that might not have much time left. I couldn't really get a read on her during the performance like I often do, but when the lights came up following bows she was trying her best not to ugly cry in public. I believe she already bought tickets to see it again with her boyfriend.
I hope we get a cast album. I hope this can at least make a run for it through the holidays. I hope the hoodie I ordered with Hwaboon arrives this week.
EDSOSLO858 said: "Pulling the plug as quickly as they did was the right choice. They were only going to lose more money had they run through the holidays."
Jordan Catalano said: "EDSOSLO858 said: "Pulling the plug as quickly as they did was the right choice. They were only going to lose more money had they run through the holidays."
Did they announce a closing?"
Apparently everyone was notified before their first performance after opening night. Notice won’t go public for a bit
Although we enjoyed the upgraded monetary set design from the Asian production, the music never impacted us much. It's a cute show but could have been done with same effect on smaller efficient budget and design. Unfortunately letting the creative team run wild with money didn't help this production thrive in the long run. The director and set designer are producers and likely influential in overshooting the costs. It's unfortunate for this property to succumb to bad choices. The writers have many to blame.
Criss and the jazz singer were both standouts for us. Unfortunately, the big set design kept us from being able to fully engage, or be moved by, the story as we were just constantly watching the set. This show will be great for regional theaters and have more effect with smaller, smarter budgets from director/producers.