I ended up having a great time. First of all, though the seats are tight, there is not a single bad view in the house.
The play is definitely absurdism to a fault, and so it takes a bit of getting used to for those thinking that this would be more of a GOD OF CARNAGE-type of show. There's a lot of (what I perceived to be) flashbacks and do-overs, creating a fractured timeline that can easily give one a sense of deja vu.
The cast is uniformly excellent, though Keegan-Michael Key took a few minutes for me to warm up to, because he arrives with such bombast that you're kind of stunned into a "holy sh1t" mode for a few minutes. I love that Amy Schumer was able to effectively play against type and still be able to mine a bit of her usual humor in that before going into her regular schtick in the last 20 minutes or so. Also, Laura Benanti is an American treasure and there was not a single joke/glare/posture that she didn't land the audience in fits of laughter. I want to carve her Tony statuette now...
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The play makes sense at the end once Schumer and Shamos' characters realize that Key and Benanti's character are meant to serve as their id, and force them to confront the anhedonia of their own marriage. The only part I didn't like about that realization was that it was dashed off in a one-liner by Schumer.
Stage Door: As everyone is aware, Schumer does not come out. Benanti came out, but did not sign or take pictures (though she was very friendly and waved a goodbye). Key came out and signed and took pictures with everyone. Nobody recognized poor Shamos, so he thought nobody wanted him to sign and he dipped off (per the door security).
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