Is it just me or are there not many musicals with superior 2nd acts? It seems to be the universal criticism of even the best musicals of all time; 'the first act was better'. Even I think that my favorite musical of all time (Sweeney Todd) has a much better 1st act than 2nd act.
The only one that springs to mind is Grey Gardens.
I personally enjoyed the second act of Book of Mormon better than the first. I've seen it 4 times now. I just feel the better songs are in the second act. Thats not to say the first act wasn't good though.
I enjoyed the second act of Sunset Blvd more. There was more drama. Also: Bring It On (maybe just because the first Act took a while to get interesting) Titanic (The first Act was all introduction)
Wow, someone had the opposite experience of CHAPLIN than I had... I thought the first act was rather promising and enjoyable and the second act where the wheels fell off and an utter disaster.
I agree (to an extent) about ONCE, in that the second act is the better half in terms of the story, but the first act is a more well-paced and entertaining one. I think that one is just so well-balanced and spread, that there aren't really weak stretches in that show at all.
Personally, I'd nominate INTO THE WOODS, where the second act's much deeper emotional core and moral ambiguity really elevate the show to another level for me. The first act may be more enjoyable on the surface, the second where the heart lies.
I think, though, there's a overarching point to be made about this; most musicals use Act I to win over the audience. A great opening number, a show-stopping comic setpiece or the establishing of signature songs from the score will all be best served by being in the first act. The second act is rarely more than tying up the story or paying off the seeds sown in the first act. The rare occasions of superior material in the second act can be cases where the show uses its two-act structure to tell a double-sided story (GARDENS and WOODS, as well as SUNDAY IN THE PARK if anyone thinks that Act II is better, would fit in here.)
Just my two cents.
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Act II of Gypsy has much more dramatic tension than Act I, but I'd honestly hesitate to say that it's better because I think it's just the natural flow of the story, not a case of better writing or music. (since Act II has significantly less music than Act I)
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Into the Woods for sure. I love the direction that it goes. Also, my friend found the first act of Gypsy to be quite dull, but she thought act II was brilliant. I love the entire show, but I have to admit that act II is maybe more thrilling than the first.
I agree with “Once.” At intermission I was fairly “eh”. Not only did I find Act I to be a bit slow, but I was hoping the songs would have been more integrated with the story (as opposed to just performance numbers) and would have some more musical theatre-style variations to them. I found both of these things to have happened more in Act II and I found myself much more invested in the show.
I tend to think second acts are generally more exciting and quicker than the first, as the plot tends to clip along to the climax. I think Sweeney Todd's second act is a good example of this.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I tend to think second acts are generally more exciting and quicker than the first, as the plot tends to clip along to the climax. I think Sweeney Todd's second act is a good example of this.
Absolutely true, but first acts have time for comedy and character and color because they aren't sprinting to the finish.
But, jay, there is an old saying that if your second act doesn't work, the problem is usually somewhere in your first act. That's because Act II "unrolls" whatever Act I has wound up.
(I'm surprised to see INTO THE WOODS mentioned. I think most audiences enjoy the fairy tales of Act I and resent the extended analogy of Act II. (That's not my personal view, but an observation of patrons around me in various productions.))
One that comes to mind immediately for me was Caroline or Change, the Jeannie Tesori, Tony Kushner musical that ran on Broadway in 2004. I found the first act amorphous, not much action, just set up, but the second act was very confrontational. I really liked that, and also it was helped by the introduction of Grandpa ( a wonderful performance by the late Larry Keith), the old socialist. His vision of life really shook things up. In this case, the second act had much more power than the first.
I think the second act of Evita is better than the first act. I like "Another Suitcase in Another Hall" and "A New Argentina" but the rest of the songs are just filler.
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I completely agree with Into the Woods- I find that the first act drags and is just a prolonged recitation of a bunch of fairy tales. I understand why it's necessary to set up the second act, but I don't find it very dramatically compelling. We know it's going to end with happily ever after, and the characters are spread too thin in their stories for any of them to be truly complex. Act II is vastly superior, in my opinion, though I understand that Act I is needed for Sondheim to make his point. I just think it could either be shorter or have some characters cut out.
I would argue that, while not necessarily "better," Act II of Les Miserables is certainly more exciting.
In general, I'd say that shows where the ending is not particularly obvious from Act I (like Pippin or Caroline or Change) have better second acts, barring any major book mangling (which I believe Parade to be an unfortunate victim of).
When did PASSION get a second act? Am I missing a joke?
The original London production of Passion had an intermission after "I Wish I Could Forget You." The act ended with Fosca's screams and the second act opened with the soldier's gossip.