My Fair Lady closing July 7 — Page 2

Laura taking over helped the box office, most people went to see HER playing Eliza I would imagine. I certainly did. She didn't whisper the entire score like Lauren did, so huge upgrade.

Sher's direction and Ambrose's acting is the best thing that has ever happened to the musical.

If most people did that, wouldn't it stay open?!

Since there is a finite number of people in the world with interest in the show, nope. I think a lot of people went to see her perform because she is incredible. Just my view.

I may try to see this on H H-P’s last day. Kirsten will play Eliza that evening.

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poisonivy2 said: "LuPita2 said: "If most people did that, wouldn't it stay open?!

Since there is a finite number of people in the world with interest in the show, nope. I think a lot of people went to see her perform because she is incredible. Just my view."

Couldn't disagree more. Her hard charmless interpretation just about killed the show for me as did her weirdly produced high notes, unintelligible accent and lack of chemistry with HHP. For someone who said this was her dream role she didnt give a very inspired performance. She also missed a ton of shows."

Agree.

Laura is great. She nailed She Love Me. We are do for a Camelot revival and would love to see her play Guinevere.

In the case of this revival, though, I don't think that you replace your Eliza with someone who flat-out looks too old and is not used to playing shrinking Violets, When Lauren says, "Married. To me? Who'd marry me?" You believe in her low self-esteem. It's hard to believe that Laura believes it. People want to root for Eliza so she has to appear rather helpless.

As for trying out a young and fresh newcomer, I'll give you an example. I picked up the Times one day and read a re-review of the Sound of Music revival of 1998. I don't remember who the critic was. Rebecca Luker, whom I had loved in Show Boat, had played Maria but had left the show. This reviewer said that the young girl who had replaced her was an improvement, and went on in some detail why she was better. As most of you probably know, the young girl who took over for Luker was Laura Benanti. I felt so bad for Rebecca having to read that.

Another comment: Michael Buckley of Playbill later wrote that Benanti "was an absolutely wonderful Maria ... As do others, I believe that had she opened in the show, Benanti would have been an overnight sensation."

So go for the sensation, not the safe, when turning over the cast. And even though you're having a great time in London, maybe quarrels between cast members and wholesale changes in cast deserve a little supervision.

So here I am criticizing the greatest director of the first 20 years of the 21st Century.

It's all good. It was a terrific revival and I saw it multiple times, one time sitting next to Lauren's mother. By the time the next major revival comes through I'll likely be dead (or as they say so much more pleasantly these days, I'll have "passed."

I saw this glorious revival back in May 30th last year with the entire original cast and that was a production I will never forget. It was proof as to why Bartlett Sher is a talented director of Golden Age musicals and I certainly hope that either Camelot or Follies are on his mind for his next musical revival.

Laura was absolutely stunning as well and I'm glad she's closing the show this July.

It was truly a lovely, but flawed production. The first time I saw it, I pretty much hated it. I thought the entire production was cold and lifeless, particularly due to a pretty dreadful performance from Lauren. I thought she lacked presence, charm, technique, chemistry, and literally everything required for the role. She started as a squashed cabbage leaf and ended as a squashed cabbage leaf.

Laura was phenomenal and had she been given a proper rehearsal period with Sher, I think she could've turned out an even better performance. I think it was clear that she wasn't given the right time with a dialect coach. Her Eliza always had strength, but I think her Eliza was less a story about a woman learning to be confident and more about a woman learning to respect herself and learn that she's worthy of respect from others, which, in this day and age is a more interesting journey. I think her and Danny Burstein and Christian Dante White and even Rosemary Harris, injected some much needed life into a production that started out very low energy.

What kind of life can such a person have.

To be pitied.

Received email from TheaterMania Wednesday night.

Discounts through June 30th

All side orchestra and front loge

Tuesday and Wednesday evenings - when one of the leads is out - $89.00

Wednesday matinee, Thursday and Friday nights - $99.00

Saturday matinee and evenings, Sunday matinees - $117.00

Code MFLTM5

I was in the audience last year on Eliza Doolittle Day - and was surprised the line didn’t get more of an audience reaction.

it was a glorious production. I was enchanted by Lauren’s performance and saw it a number of times. I loved sharing this show with friends and family and it will hold a special place in my heart.

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Funny that people are saying that Laura couldn't hold the Box Office, but at the end, she will more performances as Eliza than Lauren LOL

I saw this magnificent production with Lauren and LOVED it, top 3 of my entire trip on Broadway and the kind of magical production of a classic that only Broadway can give it to you.

But a good run for a revival anyway <3

If you're a big Laura Benanti fan I hope you get to see her before July 7th, but if you can, try to see either of her understudies! Kerstin Anderson was absolutely incredible in the role, and I'm spacing on the name of the other understudy but I've heard good things!!



I'm also very sad the show is closing. I thought it was absolutely beautiful and incredibly well done.

I'm also wondering if Harry will extend the ONE day for this.

Also if anyone has a ticket to throw my way...I won't complain. Sadly these prices were never ones I could justify paying with my small budget...