Comden Green said: The darn camera keeps moving. All the time. I just want to see the show. Stop all the cuts and fancy camera work. Extremely distracting. The greatness of the show is the full stage with amazing dancing. That's what I want to see.
YES. THIS. I wanted way fewer camera movements, and I wanted more distance shots that lasted. Thank gourd they kept a distance shot for that incredible moment when the scaffolding moves downstage in "Once and For All" (though they added a looking-up-at-it angle towards the end of it, which I didn't love).
I wish they had let the set and the choreo be more of the stars that they are in the live show. That scaffolding, and the choreo in and on it, are some of my fave things. And one thing I love about the choreo is dancers doing the same move in sync, which was harder to see and appreciate here.
All that said -- I cried twice, I got chills twice, JEREMY JORDAN IS PHENOMENAL, and the whole thing was a huge balm and joy for my soul. It really was incredible. The acting seemed on a higher level than when I saw it on tour (though I was flying with happiness then too).