The cast for the reading is pretty much a blend of actors from "The Color Purple" and "Spring Awakening". Carrie Compere is Asaka. (Cynthia, however, is not currently involved).
According to Flaherty, “We started toying with the idea of, ‘What if this was not a traditional pit orchestra? What if it was whatever you had on hand to make theatre?’ We are going for a more acoustic feel and stretching the boundary to ask, ‘What is an instrument. How can you make music?’”
Starobin has been working to build instruments out of “garbage” and found objects, including trash bins, flexible piping, and more.
“We are approaching this sonically in a new way, by making the human body an instrument in a way that it hasn’t been heard in the past. We are taking a lot of the orchestrations and making them vocal orchestrations.”
While musicians are still integral to the production, Milazzo has reconceived the orchestrations as multi-layered vocal arrangements that ebb and flow as part of the musical storytelling.
Ugh. I adore this show and this news deflates any excitement I had in a revival. I'll just have to be content with the memory of the original touring production, which was simply gorgeous.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
I'm curious about the new sound- the low-rez and MIDI synths of the OBC gives me fond memories of the background sound on my Sega Genesis from childhood.
Speaking of solo synth but not tacky, I saw a production with a two piece orchestra; Lena Gabrielle (a composer I've worked with multiple times) playing a Fantom G8 sampler keyboard, and Jim Donovan (percussionist for roots/worldrock group Rusted Root). It actually sounded pretty good, though the Fantom's multi-layering and real instrument sampling makes it about two decades advanced over the synth score on the OBC.
vampire musical said: "Any chance this thing tries to take Circle for the spring?"
That would have to depend on how long the producers of In Transit are going to be able to keep it running. I personally hope Once on This Island waits until next season as this season is already too crowded.
It seems like Michael Arden is the master of concept revivals. The only practical theatre for this would be The Circle in the Square, so either it comes in this Spring or next season (if Davenport has the money).
I wouldn't say he's a master. I'd say he's incapable of anything else. Spring Awakening was good (maybe a bit much, but I was very caught up in the emotional impact) but My Fair Lady and Merrily seem to have buckled under the weight of an unnecessary vanity concept.
Jeffrey Karasarides said: "vampire musical said: "Any chance this thing tries to take Circle for the spring?"
That would have to depend on how long the producers of In Transit are going to be able to keep it running. I personally hope Once on This Island waits until next season as this season is already too crowded.
"
Shocked they haven't announced yet. Tomorrow is two weeks notice for a Jan 1 closing...
John Doyle is a master of concept revivals, and unlike Michael Arden, he realizes that you don't always have to slap on a, "Look at me, I'm directing!", concept.
I would have a problem with an inexperienced orchestrator creating a band of garbage, but I trust Starobin to create something pretty magical. I think what they mean is that the percussion section has been made up of garbage in order to create more of an earthy sound. I suspect that we will have a piano and brass and what not, but with added color from an unorthodox percussion section. I would love to see a re-vamped Once on this Island, but they have to get it to Broadway first.