#26
Posted: 12/23/05 at 8:05am
Love almost all the ones already mentioned. "Annie Get Your Gun" is another favorite of mine.
#27
Posted: 12/23/05 at 8:33am
jasobres--Have never heard of the "Overture of overtures", but it sounds great! Going to see if I can track it down....
"You ask four guys, you get four different versions" ~ Tommy DeVito, Jersey Boys
#28
Posted: 12/23/05 at 8:38am
#29
Posted: 12/23/05 at 9:45am
I like the opening of DRS too. But I would have to say that the one that gets me everytime are the opening hits of Les Mis. I was in the school version of that and whenever that would start, we would get even more pumped up in the wings. It was a great feeling.
It was 6 hours, I don't even like to have sex and eat bacon for 6 hours.
Freddy Benson- Dirty Rotten Scoundrels
Freddy Benson- Dirty Rotten Scoundrels
#30
Posted: 12/23/05 at 10:01am
Company
NINE
Candide
NINE
Candide
" ...the happiness in the tune convinces me that I'm not afraid."
#31
Posted: 12/23/05 at 10:12am
"Gypsy" is the only time I've ever heard audiences consistently applaud DURING an overture. It's that "hot." Easily the most exciting overture ever written, and my choice for #1.
I also love a few of the non-conventional overture choices: Nine and A Little Night Music.
Other favorites of mine include Candide and Promises, Promises (love the pit singers here).
And a few of the traditional ones (which are usually ENDLESS, but that's fine with me): Oklahoma!, South Pacific and The King and I. The orchestrations for those are incredible. It's like travelling back in a time machine.
I also love a few of the non-conventional overture choices: Nine and A Little Night Music.
Other favorites of mine include Candide and Promises, Promises (love the pit singers here).
And a few of the traditional ones (which are usually ENDLESS, but that's fine with me): Oklahoma!, South Pacific and The King and I. The orchestrations for those are incredible. It's like travelling back in a time machine.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
blocked: logan2, Diamonds3, Hamilton22
Updated On: 12/23/05 at 10:12 AM
#32
Posted: 12/23/05 at 10:48am
I think Gypsy is hands-down the best overture of all time.
I also love the overture for Merrily We Roll Along.
I also love the overture for Merrily We Roll Along.
#33
Posted: 12/23/05 at 10:54am
My all-time favorite MOVIE overture is from "Mary Poppins." Haven't seen the stage version yet but hoping its overture is just as great.
It's too early for noches.
#34
Posted: 12/23/05 at 10:56am
Oh Millie, you're so right!!!
I love the Poppins overture. It's magic.
Maybe we can see it together on Bway.
Addy and I have a date for it. Join us.
I love the Poppins overture. It's magic.
Maybe we can see it together on Bway.
Addy and I have a date for it. Join us.
" ...the happiness in the tune convinces me that I'm not afraid."
#35
Posted: 12/23/05 at 11:02am
I echo BEST12BARS in that ""Gypsy" is the only time I've ever heard audiences consistently applaud DURING an overture. It's that "hot." Easily the most exciting overture ever written, and my choice for #1." I had the fortune of seeing Gypsy 6 times and it was amazing each and every time. That overture gives me goosebumps everytime I heard the opening "Ba BA BA BA...."
Happy...Everything!
Kaye Thompson
#36
Posted: 12/23/05 at 11:16am
Jule Styne is the ultimate overture writer... Gypsy.. Funny Girl... Bells Are Ringing... Three greatest overtures...
I would LOVE to hear Barry Manillow's Overture of Overtures
I would LOVE to hear Barry Manillow's Overture of Overtures
#37
Posted: 12/23/05 at 11:21am
It's on the album "Showstoppers."
"Ev'ry-buddy wants ta get into de act!"
- Jimmy Durante
"Breathe from your hoo-hoo."
-Kristin Chenoweth
#38
Posted: 12/23/05 at 11:28am
Millie -- you're right about Mary Poppins, as far as film overtures. For some reason (probably the way it's orchestrated), whenever it kicks into Supercali...(etc.), I get chills. It shifts gears in such a great way.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
blocked: logan2, Diamonds3, Hamilton22
#39
Posted: 12/23/05 at 11:39am
I'm suprised that no one shares my favorite overture: Mame. Now THAT is a big sound.
Other great ones are: Oklahoma, 42nd Street, Phantom, Sunset Boulevard, and Anything goes.
Other great ones are: Oklahoma, 42nd Street, Phantom, Sunset Boulevard, and Anything goes.
Keep your morals, I don't have time. Keep your lovers, I'm changing mine!
-The Likes of Us
#41
Posted: 12/23/05 at 11:52am
I hate to be cliche, but I do love Phantom. It really catches your attention, and is just so intense.
#42
Posted: 12/23/05 at 11:55am
Now, just out of curiousity, how do you all define overtures. I think of them as a medley of tunes that the audience is going to hear in the show. While I do love openings in shows like Phantom and Sunset Boulevard, are they really overtures? Both of them just present the main theme in an instrumental form. The same goes for a lot of modern musicals. Thoughts?
Keep your morals, I don't have time. Keep your lovers, I'm changing mine!
-The Likes of Us
#43
Posted: 12/23/05 at 12:02pm
Would love to join you, Glebb. Say when! Am way overdue for NY and Glebb visits and would love to meet Addy.
It's too early for noches.
#44
Posted: 12/23/05 at 12:14pm
One that is often overlooked but that's very exciting is the overture to WOMAN OF THE YEAR. Always brings a grin to my face.
#45
Posted: 12/23/05 at 12:20pm
The greatest overtures ever written are "Gypsy" and "My Fair Lady"
#46
Posted: 12/23/05 at 12:24pm
Has anyone said "Damn Yankees" yet? That's a great one too!
"You ask four guys, you get four different versions" ~ Tommy DeVito, Jersey Boys
#47
Posted: 12/23/05 at 8:00pm
1) Gypsy- best overture ever
2) Promises, Promises
3) Chicago
4) 42nd Street
5) Dirty Rotten Scoundrels
Too hard to pick one.
2) Promises, Promises
3) Chicago
4) 42nd Street
5) Dirty Rotten Scoundrels
Too hard to pick one.
#48
Posted: 12/24/05 at 11:23am
and then there are the shows with NO "real" overture. "The Producers" and "Hairspray" come to mind. Any others?
"You ask four guys, you get four different versions" ~ Tommy DeVito, Jersey Boys
#49
Posted: 12/26/05 at 8:44pm
The original "Hello, Dolly!" had no overture, although they added one for the most recent revival. Also, 1776 has no overture, Sound of Music has none, Jekyll and Hyde has no overture. I'm sure there are lots of others.
#50
Posted: 12/27/05 at 7:37pm
While I do love openings in shows like Phantom and Sunset Boulevard, are they really overtures?
No these are NOT overtures. They are correctly termed "Preludes." The "Carousel Waltz" is also not an Overture, even thjough it is wonderful piece of music: quite possibly the greatest conceryt piece to emerge from Broadway in the 20th century.
An Overture is a short concert piece to introduce a program. For musicals it is usually a medley of proposed hit tunes. Some (GYPSY, CANDIDE) are outright classics. Others are more generic but still enjoyable if well played.
Many people here list the Overture from WEST SIDE STORY. I know teh movie had a 5 minute Overture (it can be heard on the DVD) but there was no Overture for the Broadway production which opened cold with danced Prolgue.
Early operettas often had 8-10 minute Overtures and some of these are famous: The overture from DIE FLEDRMAUS for example, or any of the Gilbert and Sullivan operetta Overtures, especially THE MIKADO.
I especially like Kern's original 1927 Overture for SHOW BOAT, Gershwin's OF THEE I SING and GIRL CRAZY overtures and Rodgers' KING AND I Overture. Also the classic Overtures from the 40s/50s: ANNIE GET YOUR GUN, FINIAN'S RAINBOW, KISS ME KATE, CALL ME MADAM, SOUTH PACIFIC, PAJAMA GAME.
Not many recent shows have used overtures. THE PRODUCERS did in try-out but it was mostly cut to segue into "Opening Night" before opening night.
Problem is modern audiences talk all the way through Overtures and don't pay attention. They don't seem to think it is part of the show.
No these are NOT overtures. They are correctly termed "Preludes." The "Carousel Waltz" is also not an Overture, even thjough it is wonderful piece of music: quite possibly the greatest conceryt piece to emerge from Broadway in the 20th century.
An Overture is a short concert piece to introduce a program. For musicals it is usually a medley of proposed hit tunes. Some (GYPSY, CANDIDE) are outright classics. Others are more generic but still enjoyable if well played.
Many people here list the Overture from WEST SIDE STORY. I know teh movie had a 5 minute Overture (it can be heard on the DVD) but there was no Overture for the Broadway production which opened cold with danced Prolgue.
Early operettas often had 8-10 minute Overtures and some of these are famous: The overture from DIE FLEDRMAUS for example, or any of the Gilbert and Sullivan operetta Overtures, especially THE MIKADO.
I especially like Kern's original 1927 Overture for SHOW BOAT, Gershwin's OF THEE I SING and GIRL CRAZY overtures and Rodgers' KING AND I Overture. Also the classic Overtures from the 40s/50s: ANNIE GET YOUR GUN, FINIAN'S RAINBOW, KISS ME KATE, CALL ME MADAM, SOUTH PACIFIC, PAJAMA GAME.
Not many recent shows have used overtures. THE PRODUCERS did in try-out but it was mostly cut to segue into "Opening Night" before opening night.
Problem is modern audiences talk all the way through Overtures and don't pay attention. They don't seem to think it is part of the show.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
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