Stand-by Joined: 7/12/18
So Paddington just opened in London and the reviews are glowing all around and it got me thinking…could a Broadway transfer of Paddington be not only plausible but imminent???
Broadway Star Joined: 6/5/03
They just opened in London. There's no way they could finance, build, rehearse and develop an advance to open this Spring. They'll enjoy being a London hit, grab some awards, and take their time building anticipation and word of mouth, just like MATILDA did. Smart producers don't want to rush -- see GROUNDHOG DAY.
It would be veeeeery (bear-y?) expensive to bring this to NYC, probably to the tune of a $35-40 million capitalization and north of $1.5 million in weekly running costs.
Stand-by Joined: 4/29/20
It will arrive on Broadway in Spring 2027, as it has West Ends and Broadways biggest producer behind it being Sonia Friedman. Transfers take 16 months (Matilda) to 24 months (Harry Potter)
$35-$40m could be in the ballpark, it will come to New York as a developed show, no workshopping needs to be done and contractors in place for construction. I wonder if this will land in the St James or Lyric, possible it could play the Al Hirschfeld.
It already kinda feels like the talk of the town here in NYC. The costume-puppet is extremely effective as a marketing tool.
Broadway Legend Joined: 1/21/20
A transfer is almost certainly got to be in the works. Certainly it feels like a more commercial (and hyped) proposition for Broadway than, for instance, Benjamin Button. But I wouldn't be surprised if it takes up to several years for the aforementioned reasons.
This will snag one of the ATG barns that EVITA will not take.
Wonder what’ll close first in that case, POTTER or ROUGE!.
I hope we have a year and a half of non stop wondering in every single thread what theater it’ll go into.
Jordan Catalano said: "I hope we have a year and a half of non stop wondering in every single thread what theater it’ll go into."
At least this doesn't need an exterior balcony.
EDSOSLO858 said: "This will snagone of theATG barns that EVITA will not take.
Wonder what’ll close first in that case, POTTER or ROUGE!."
ROUGE will probably be gone sometime next year, so the Hirschfeld seems plausible.
Swing Joined: 7/24/23
Sonia Friedman has a history of bringing shows to the Chicago Shakespeare Theater. I think it might be a good idea to bring the show there for Christmas in 2027 (at the earliest) to see how American audiences react and really build word of mouth in the states before opening on Broadway.
EDIT
Never mind. I always get the two mixed up.
The response is far more promising than any musical aimed at Broadway this season.
As IP, Paddington is much much bigger in the UK than it is here, even despite the movies having a cult following. So this would probably be a BILLY ELLIOT situation where it runs respectably in New York while being bigger in the UK. But respectable is fine! Mass appeal + critical acclaim is a rare combo.
Swing Joined: 11/26/25
35-40 million dollars what exactly does that include? The Queen of Versailles cost 22.5 million, doesn’t that include the development of the show?
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