That Menken/Schwartz score is GORGEOUS. The story is so relevant and progressive and beautiful, it’s perfect for today. Disney needs to get on this while they're still with us.
Broadway Flash said: "That Menken/Schwartz score is GORGEOUS. The story is so relevant and progressive and beautiful, it’s perfect for today. Disneyneeds to get on this while they're still with us."
And Flash's obvious trolling saga continues! PLEASE GO AWAY!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
Trolling aside, I imagine Disney (the film studio) put a mostly-Indigenous writers room together at some point to try to "crack" a story for a live-action remake that didn't bastardize historical events but also didn't alienate the people who liked the original animated movie. And that's probably the reason why we haven't seen it and will never see it: there is no way to do it right.
Disney could follow the newsies model. Do an out of town tryout at paper mill, come to the Nederlander for a limited time, and then license the show. Menken and Schwartz I’m sure would make it historically accurate and contemporary and edgy, unlike the newer Disney shows. It would make a killing at the box office.
Anastasia had enough fairy tale elements to get by with it's cursory nods to Russian history. Pocahontas was an abused and enslaved Native American child who was aged up and whitewashed into a Disney princess. People mocked it in the 90's and would excoriate it today.
ErmengardeStopSniveling said: "Trolling aside, I imagine Disney (the film studio) put a mostly-Indigenous writers room together at some point to try to "crack" a story for a live-action remake that didn't bastardize historical eventsbut also didn't alienate the people who liked the original animated movie. And that's probably the reason why we haven't seen it and will never see it: there is no way to do it right."
Disney hasn't done that for any of the live action films (or any film actually) that depicts the story of POC. Not Mulan, not Aladdin, not Moana. They just fill the room with "Advisors" of that culture instead of actual creatives and surround them by a cabal of white people they always work with.
TheatreFan4 said: "Disney hasn't done that for any of the live action films (or any film actually) that depicts the story of POC. Not Mulan, not Aladdin, not Moana. They just fill the room with "Advisors" of that culture instead of actual creatives and surround them by a cabal of white people they always work with."
The real story of Pocahontas is much darker than Mulan, Aladdin, or Moana.
Disney falsified a romance from a story of an underage indigenous woman who was, by some accounts, abducted, raped, married off to an Englishman (a different Englishman than the one she falls for in the film), used as a prop to encourage British investment in Jamestown, and died in England only a couple years later. There's no way to accurately portray that in a children's property, and even in 1995 it received criticism.
Had it been about a wholly fictional character not named Pocahontas it might have gone down a little better, but that's not the story they chose to tell.
The "big history" is wildly inaccurate, and it does whitewash things. I think POCAHONTAS is untouchable now, in the way that SONG OF THE SOUTH is untouchable.
Well that’s why they would change parts of it and use the same score. Colors of the wind is still as relevant as ever. And there’s a strong story to be told, even the film wasn’t a complete whitewash. And the score is just ravishing.
Broadway Flash said: "Well that’s why they would change parts of it and use the same score. Colors of the wind is still as relevant as ever. And there’s a strong story to be told, even the film wasn’t a complete whitewash. And the score is just ravishing."
It is a COMPLETE Whitewash. She was kidnapped, forced to assimilate, married off to a guy, and Paraded to England to be gawked at.
Yeah, Colors of the Wind is still relevant because it's a nonspecific Disney "I Want" song! They're all "still relevant!"
Broadway Flash said: "Well that’s why they would change parts of it and use the same score. Colors of the wind is still as relevant as ever. And there’s a strong story to be told, even the film wasn’t a complete whitewash. And the score is just ravishing."
Again you are typing for the sake of typing.
Heathers score you said was a "Masterpiece" yet it sounds like Legally Blonde.
Now Pocahontas is both "gorgeous and ravishing"
I'm not sure what is more superfluous you or these descriptions.
It's so tiresome.
"I hope your Fanny is bigger than my Peter."
Mary Martin to Ezio Pinza opening night of Fanny.
I know Broadway Flash says crazy stuff and this is one of them but I could see Disney trying to tackle this again in some way in the future with many more indigenous people involved and some serious rewrites. Whether that be a movie, stage show, etc. I could see them trying to work through it. Who knows if that would be successful and perhaps they've already tried. It does have a very pretty score.
Mr. Wormwood said: "I know Broadway Flash says crazy stuff and this is one of them but I could see Disney trying to tackle this again in some way in the future with many more indigenous people involved and some serious rewrites. Whether that be a movie, stage show, etc. I could see them trying to work through it. Who knows if that would be successful and perhaps they've already tried. It does have a very pretty score."
If you're just going to change the entire thing, then what's the point? Moana basically is the plot of Pocahontas without the problematic aspects so like... what now?
Disney's MO now is not to work out it's problematic issues in their old works, it's to just get rid of it and "fix" superficial issues that nobody actually cares about.
The idea of finding the middle ground between what actually happened to Pocahontas and what Disney made Pocahontas to be is quite hilarious honestly.
Mr. Wormwood said: "I know Broadway Flash says crazy stuff and this is one of them but I could see Disney trying to tackle this again in some way in the future with many more indigenous people involved and some serious rewrites. Whether that be a movie, stage show, etc. I could see them trying to work through it. Who knows if that would be successful and perhaps they've already tried. It does have a very pretty score."
If a really talented Indigenous writer could somehow shoehorn some of the songs into a movie/musical about Pocahontas as a young child before the Jamestown settlers arrived (which means a protagonist that's age 10 & younger), that MIGHT be the only way to do a film/musical titled Pocahontas without it being an R-rated interrogation of colonialism. Turn it into a celebration of Indigenous culture in the final moments before the Englishmen arrived.
But like the person above said...just write a new story with different songs. These Menken/Schwartz songs can exist as recordings and cabaret songs.