REDWOOD Previews — Page 3

Claudia Draper said: "Does IDINA have an alternate or understudy listed for this show? Given the marquee has her namebigger than the title, I assume the show will just be cancelled.anyone know?"

Did you check the redwood website ?

Wow I didn't realise! I always thought Jessica Phillips sounded like Idina when she did next to normal.

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Claudia Draper said: "Given the marquee has IDINA’sname bigger than the title, I assume the show would just be cancelled.. I think must people going to this show would want a refund.."



Yes of course they will offer refunds. No it's unlikely that they will cancel performances. They still have to pay just about everyone else in the building -- plus they'll be saving Idina's salary for those performances.

Idina’s performance on the Today show did not inspire a ticket purchase. If she wasn’t in the role this show would not be coming to Broadway. Yikes.

Is "In the Leaves" the finale? The song certainly has that sort of rousing feeling.

I’m a sucker for any musical built from the ground up that isn’t a bio juke. If/Then was flawed but felt genuinely contemporary, and the score has lovely highlights. If this lands with similar elements, then it certainly has a shot. It’s hard to ascertain if the texture is more new age meditation or ecological fantasy; or both. But Menzel is a force on stage, and sells seats because she delivers.

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Same with TV work. You only get paid for the episodes you appear in. Even if you’re the lead of a series but have to miss a few episodes to film another committed project, you aren’t going to be paid for the episodes you weren’t on. Most who are in this dilema, try to schedule their other committed projects for their off days and weekends. No one wants to see their pay get cut regardless how big it is to the average person.

As mentioned above, regardless who you are, you miss a performance, you ain’t gonna get paid for that missed performance. If you’re an an understudy already playing another role, you get a bump in your weekly check for whatever performance you understudied. Actors are not on salary, folks.

Doesn't the union contract provide at least nominal sick leave coverage? Wasn't that one of the things that was new to the 2022 deal?

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nightnic0012 said: "inception said: "veronicamae said:

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Oh, that's there. Grinding the plot to a halt for 2 minutes."



I think it's been cut now. Was at the show tonight and she watched a climbing clip on the laptop but nothing else. Run time is still 2hr 5mins though.

Saw this tonight, have not read a thing about it so I don’t know what the feedback on it is, but I hated it. Maybe the worst thing I’ve ever had to sit through. If I wasn’t sitting in the middle of a row I would have left early. They claim it’s 1:45 but it was over 2 hours. Just pointless garbage with lyrics I could barely even understand. Idina Menzel drives to CA and climbs a tree. There, that’s the plot. There are no stakes. Oh no! Will she be allowed up on the platform or not!? The character of Becca was insufferable and screamed almost every single line.
And we had to sit through the son doing a bad rap song. What were they thinking with that?

I guess the projections were cool. That’s the only positive I have about it. Now to read the thread and see if everyone else here loved it.

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Chiming in here to say that, while not perfect, this is far from the worst new musical to make it to Broadway this season. With the right cuts to get it down to the advertised runtime, this has the potential to be a really great and moving show. That great show is in there, it's just a matter of making the right cuts. I will echo what others have previously said on this board and say that Idina is in amazing voice and is giving a great performance. If your desire is to see her shine in a Broadway musical, you will not be disappointed.

(And just for the record, I have seen all of the new musicals from this season so far.)

Sutton Ross said: "And these reactions are from die hard Idina fans that go at the beginning of previews. I can't imagine where this show will be in six months for the casual theatergoer. I loved the projections in CA but it wasn't a good show by any means. And the fact that they posted that false running time before previews began was a bad move since people plan things based on it, such as catching a train on time.

This had potential. Shame."

Are we certain Idina/the show is looking to run longer than six months anyway? I'm seeing this a couple of days after opening and I'll be interested to see if the running time is accurate once the show officially opens, given they still have a few weeks before it opens to make cuts.

Jordan Catalano said: "I can’t imagine they’d be happy to close after only six months. The problem is like with so many shows that need a significant amount of work, it’s so expensive to do so and in this case I’m guessing the constant projections make it even more of a problem for them to do the work that’s so needed on this show. I really don’t think it’s a “bad” show (I’ve seen faaaar worse) but it’s far from being a really good one, as is."

Agreed. I think between Tina, Idina, the other creatives behind this and Eva Price, this feels like a particularly sentimental project. I hate to use the word “vanity project” because I think it has some bits and pieces going for it. I don’t see this team letting the show close before the fall, they will find the investors who feel similarly and are willing to burn money if that’s what it takes.

I also think operating costs are probably a bit lower than what people are expecting. I certainly haven’t seen them myself, but it’s a smaller performing company with non A-list creatives. The show is being GM’ed in-house, which is a first for this producing office. I am sure they are finding ways to build a bit of a reserve.

Updated On: 1/30/25 at 02:46 PM