Real Women Have Curves - Previews- Page 4

[Sutton Ross]

Posted: 4/11/25 at 1:55pm

thatdarnzach said: "None, sightlines are (shockingly - for this season) excellent across the board."

I had to laugh at this comment because it's so accurate. There have many shows this season where unless you are dead center, people are having sight and sound issues all over the theater. This particular show plays to the entire theater and I love seeing how everyone is loving it. Such a special show and completely affordable for the season. 

Updated On: 4/11/25 at 01:55 PM

[MemorableUserName]

Posted: 4/11/25 at 2:16pm

I didn't have the highest expectations going into this. A few of the early boosters in this thread are people whose tastes...don't always align with mine, and I've been slightly underwhelmed by most of the hyped openers this season. I thought MAYBE HAPPY ENDING was fine, but whatever made people so passionate about it eluded me. I really enjoyed OPERATION MINCEMEAT, which had some incredible highs even if I don't think the whole entirely came together and I didn't quite love it. BOOP was fun and certainly joyful, but dumb and poorly written. Meanwhile the early videos they released of this were not inspiring.

I loved it. 

This show is also joy, but joy with substance (vs Boop's sugary, cotton candy, substance-free version of joy; not necessarily anything wrong with that). The show manages to develop nearly a dozen characters with distinct personalities who feel like real people. The songs are terrific and well-integrated into a well-developed storyline (After so many bad books this season...here's one that's actually good!). There were a few instances early on where I thought it was obvious where the story was going...and then it didn't, subverting expectations in the best way. It touches on serious subjects and real issues, has dramatic and heartbreaking moments...but retains its humor and, yes, joy, for a truly full experience.

I'm usually annoyed when audience members are too reactive at random moments, but there was one moment here (a confrontation in the factory where the main character unexpectedly steps forward) that made me burst into applause. I was the only one at first (though a few others soon followed around the audience) because it was randomly in the middle of the scene (fuller applause ensued at the actual end of the scene.) So embarrassing, but I couldn't help it. I was that invested, and it was that good.

The only reason I think this show might be undervalued compared to the other openers is that it may be too "traditional" in style and structure (if not in subject) than some of the flashier or artsier options. But it accomplishes everything so well that it reminded me of the pleasures of a traditional musical. If this show isn't nominated for Best Musical, especially over Boop, Smash, or Just in Time, then the Tonys aren't worth a thing.

I wish the producers were being smarter about the pricing (especially the lottery pricing). This is a show that deserves to find an audience and appears to need all the help it can get.

TLDR: Go. It's terrific.

[JSquared2]

Posted: 4/11/25 at 2:23pm

RUkiddingme said: "raddersons said: "The duet with the boyfriend was great fun,."

Yeah all the women are great - but the boyfriend - Mason Reeves as Henry is the best performed/ written nerdy young man since Justin Cooley stole his scenes in Kimberly Akimbo!

 

Interesting that you'd mention that.  I've seen the show 2x so far and going back next week.  My one criticism was that, whether it was intentional or not, the actor who played Henry used the EXACT same vocal inflections and mannerisms as Justin Cooley in KIMBERLY.  

Also, was the bitchy customer meant to look and sound exactly like a certain Broadway diva we all know and love??

EDIT: I went back to see the show again last night and the actor playing Henry no longer uses the Justin Cooley inflections and mannerisms. Huge improvement. 

Updated On: 4/13/25 at 02:23 PM

[Ricey2]

Posted: 4/11/25 at 3:07pm

Saw this on Thursday and walked out absolutely in love. I am amazed at how great this was. It really did shoot to my top pick for best new musical. I need to see it again.

[CJRochester]

Posted: 4/11/25 at 7:03pm

It's great to hear these positive reports. Does anyone have a discount code that works after the preview period? The codes I've seen are only good during previews. I'm looking for early June. 

[Shubert Alley Cat]

Posted: 4/11/25 at 9:58pm

CJRochester said: "It's great to hear these positive reports. Does anyone have a discount code that works after the preview period? The codes I've seen are only good during previews. I'm looking for early June."

Use code CURVES

[Miss10036]

Posted: 4/12/25 at 1:08am

Agree with the positive reports.  What it is is a sturdy show with good bones that's just all-around solid.  It's one of those productions where you can tell that the creatives are all on the same page about how to best serve the story.  Wonderful and interesting women to root for, moving and timely storylines, buoyant music, and cohesive design elements.  I loved the floral aesthetic, projections, and sets and costumes, and I hope it slides into one of those bubble slots in the best musical musical race.  It would be a shame it if gets lost in the flurry of spring openings.  I've been thinking about how despite its similarly slow start, MHE had the benefit of feeling like the only game in town with the lack of new musicals in the fall, which is something RWHC doesn't have.  I hope this doesn't fly far enough under the radar that people realize too late that they've slept on it, because it's really good.  The title number is certainly one of the biggest bursts of joy this season, and given how unsettled the featured actress field is, I'd be happy to see Justina Machado or Florencia Cuenca get some recognition.  If I'd knock it for two things, it's that the lyrics and dialogue can sometimes get very on-the-nose, with lot of characters directly proclaiming how they feel, and that the second act can use some tightening.  There's one song that could be cut, but I also enjoyed it a lot and it got one of the better reactions when I went.  I don't think I feel quite as effusively as others—personally, I thought it was terrific though not transcendent—but it's so likable and I'd easily recommend it to anyone.  You can't go wrong with RWHC.

Digital rush when I went last weekend was very easy to get and the seats seemed to be in the first few rows orchestra center.  I wish it wasn't more expensive ($59) than other shows' rush options, but I also get that they've gotta start making money and it's the same price as TDF anyway.  Well worth it.

[EDSOSLO858]

Posted: 4/13/25 at 12:18pm

The digital lottery price is now $44. 

[EDSOSLO858]

Posted: 4/14/25 at 5:08pm

The company performing the title song:

Tatianna Córdoba performing “Flying Away”:

 

[Robbie2]

Posted: 4/14/25 at 7:23pm

EDSOSLO858 said: "The company performing the title song

Tatianna Córdoba performing “Flying Away”:

Can't see everything and these clips did nothing for us. ​​​​​​​ Gonna skip this one!

"

 

[MemorableUserName]

Posted: 4/14/25 at 11:25pm

Robbie2 said: Can't see everything and these clips did nothing for us. Gonna skip this one!

 

Thanks for sharing? It's very much your loss. 

 

 

 

[DAME]

Posted: 4/14/25 at 11:33pm

I understand not being  able to see everything and the frustration that comes with that.  But why kill anyone else’s buzz?  The show is terrific and I hope you get to catch it another time.  Enjoy your choices!  Have fun!

[JSquared2]

Posted: 4/15/25 at 10:29am

Robbie2 said: "EDSOSLO858 said: "The company performing the title song

Tatianna Córdoba performing “Flying Away”:

Can't see everything and these clips did nothing for us. Gonna skip this one!

 

 

 

 

""

 

 

 

Updated On: 4/15/25 at 10:29 AM

[dexter3]

Posted: 4/15/25 at 10:53am

I found the show to be a bit of a let down. The scenes felt relentlessly thin / one-dimensional. Sort of sit-com-y, but like dated 90's sit-com. The young actor playing the lead (who wants to go to NYC) seemed to elevate all the material in a way that was actually magnetizing, though. She's probably something to watch. The songs generally were awesome, but the second act had like 4 songs in a row that definitely need to be cut . Songs that don't forward the story, and for me, screeched the show to a crawl. I found the projections to be INCREDIBLE and during most of the second act I was just admiring the work of whoever did them. I saw it a few days ago and most of the show has slipped my memory. I think that album will be fire, but the show itself isn't something I'd recommend. Sort of feels longer than it should be. 

[Wick3]

Posted: 4/15/25 at 12:36pm

Show is set in 1987 so that makes sense.

I thought they could cut the bedroom scene between Ana and the boyfriend. I felt it wasn’t really needed but I heard it was part of the play and movie so that’s why it’s still there?

[Ke3]

Posted: 4/15/25 at 12:45pm

EDSOSLO858 said: "TotallyEffed said: "EDSOSLO858 said: "How was it, peeps?

It's pretty wild that for the first time ever, Broadway now has two Latinx-centered shows running simultaneously: this and the explosive BUENA VISTA SOCIAL CLUB."


In the Heights and West Side Story played at the same time."

Ah - I should've said Latinx-centered new musicals."

The idea that West Side Story is Latino "centered" is a bit ridiculous so you're still right.

[EvanstonDad]

Posted: 4/15/25 at 12:58pm

What??!!! A musical that suggests women are actually a real thing and should be respected, sung partly in Spanish no less? The anti-wokers' heads are literally going to explode.

[Wick3]

Posted: 4/16/25 at 12:44pm

EDSOSLO858 said: "The company performing the title song:

 

Tatianna Córdoba performing “Flying Away”:

 

"

I actually prefer their promo performance at Broadwaycon. Very simple yet effective. No need for props like sewing machines that seem odd on TV without any context .  Skip to 4:20 to see the ladies perform the title number:

 

[dramamama611]

Posted: 4/16/25 at 1:25pm

Is there anyone here that has seen the show both on Bway and at the ART?   I saw it at the ART and liked, but didn't love, it.   I could see that the bones of a really strong show were evident, just not yet all set.

 

I'm really curious if anyone that HAS seen it in both renditions could comment - is is different enough?  I'm curious, but tired of being let down by shows that don't actually improve.  I'm certainly curious enough at this point, but its always possible that the show just won't click for me.   As a point of reference, I really felt that while the message was a really good one, it wasn't one that we saw the main character struggling with.   

 

Any thoughts appreciated.

[quizking101]

Posted: 4/16/25 at 4:02pm

According to David Gordon, the understudy for one of the leads swung on for Act II without any rehearsal and a prolonged intermission. I wonder if it was for Justina or Tatianna.

https://x.com/mrdavidgordon/status/1912590148652409252?s=46&t=0XG46rJiPEOy8dyIeDsimg

Update: It was Elisa Galindez for Tatianna

Updated On: 4/16/25 at 04:02 PM

[THDavis]

Posted: 4/16/25 at 7:09pm

I hope Ms. Cordoba is alright! Congrats to Elisa - I’m sure she was excellent!!
 

Live theatre is thrilling. 

[EDSOSLO858]

Posted: 4/16/25 at 7:19pm

Galindez is on again tonight. 

[Melissa25]

Posted: 4/16/25 at 11:11pm

I was at the matinee today and Tatianna Cordoba sounded great but her voice did crack on one song.  I wasn’t surprised when Sergio Trujillo announced during the intermission that Elisa Galindez was going to go on after the extended intermission.  Count me as a big fan of this show. I recommend it highly. It is definitely one of my favorites this season. Good score with songs I want to hear again.  Lots of heart but not too sentimental with excellent design and brisk direction. 
 

[Skip23]

Posted: 4/16/25 at 11:24pm

I too loved the show and I will go back several times

 

One little quibble: in the second act, there are two songs that could easily be cut without damaging the show. Just a thought. 
 

 

[mostly_musicals]

Posted: 4/17/25 at 12:34am

here's

a little clip from bows at the Wednesday matinee

Updated On: 4/17/25 at 12:34 AM