Just reporting on here that 13 Tony nominations and all of your influence made be book a ticket for this, finally. Will be seeing it on one of Wednesday matinees in May. Even took a personal day to thoroughly enjoy the experience. Very, very excited and intrigued.
Jordan Catalano said: "8 full songs. I really can't wait."
I'm so excited!!! Very curious about Bright specifically. Is it the (superior) version that starts on the 3rd verse or the full 6 1/2 minute version or both. I'd also love the acoustic version we hear at the beginning.
The podcast Decoder Ring did an episode on creating the music for the show, and it features two different versions of “Bright” at the end. One is the start of the acoustic version and one is the uptempo version. Episode link for Spotify is here.
Neither sound like the second (“final”) recording session version we hear, so I’m assuming we’re getting two or three versions of it on the cast recording. At the very least, we’ll have the uptempo and “final” versions.
Did anyone get the vinyl they were selling at the theater? Curious to know what's on there and if it includes everything we'd get on the cast album release
chrishuyen said: "Did anyone get the vinyl they were selling at the theater? Curious to know what's on there and if it includes everything we'd get on the cast album release"
It’s a single that includes “Masquerade,” not the full album.
I think I'm most excited for East of Eden as well as Holly's song. The first time I heard Juliana Canfield sing was pure bliss. I'm so ready for next Friday~
I just bought a partial view rear mezz ticket to tonights performance thinking the energy will be really electric...hope i dont come to regret the partial view
It's highly positive, and this was an interesting observation:
"The sound designer Ryan Rumery has a nearly impossible task, which he executes with ambition and finesse, but he’s trying for needlepoint accuracy in a Broadway house, which sometimes fights back. The way that music stays alive after being electronically organized into tape is one of the play’s core mysteries, but there are places in the Golden where the sound goes a little sour. Playwrights Horizons’s compact, wood-walled venue functioned as a well-balanced listening room, whereas the sprawling new venue is a gamble, seat by seat. That’s Broadway for you: everybody pays a toll to get there."
This show has too much hype around it rn. Went this afternoon expecting an 11/10 experience but got a super long play that was just good with some *wonderful* musical moments. By far the best parts of this show revolve around the music. But for me there were absolutely no stakes to the plot and many of these characters were so one dimensional. I think this would have been much more powerful if this was edited down. I will undoubtedly look forward to album release tho!! Also Sarah Pidgeon is a star!!
Wow! We saw completely different shows. I loved it! You have to go in knowing that you are being dropped into a recording studio in the mid-70's and then just be a voyeur/fly on the wall. Such a cool experience and the songs are amazing. Can't wait for the cast recording.
Also, I may or may not have gotten the chance to listen to some songs already... y'all are in for such a treat. Absolute chills. These are by far the best songs of this Broadway season. The question to me is just, do Tony voters see it as a "score?"
There will absolutely be some bristling at a play being nominated for Best Score and suggestion that it's somehow a lesser accomplishment because it's a play and not a musical- I've already seen it, despite the fact that the score is overwhelmingly praised and the category is very explicitly not Best Original Score of a Musical.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I know that this show is positioned as a play, but is it the kind of thing that could have gone in as a musical in another year/with a different set of producers or is it very much a play?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000